Perspectives On Aspect
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Perspectives on Aspect
Author: H. J. Verkuyl
language: en
Publisher: Springer Science & Business Media
Release Date: 2005-11-17
This book offers both a retrospective view on how theories of aspectuality have developed over the past 30 years, and presents current, new directions of aspectuality research. The articles in this book take a wide crosslinguistic scope including aspectual analyses of the following languages: English and two varieties of English: African American English and Colloquial Singapore English, Italian, French, Bulgarian, Czech, Mandarin Chinese, West-Greenlandic, Wakashan languages, and Nahk-Daghestanian languages.
Cross-Linguistic Perspectives on the Semantics of Grammatical Aspect
The volume proposes original semantic analyses on items marking grammatical aspect. The contributions deal with structurally divergent languages, setting to the fore some less studied forms coding aspect, revisiting or challenging certain conventionalized views on aspectual categories and shedding light on interactions between aspect and modality, another multifaceted semantic category. In doing so, the volume is intended to emphasize the diversity of aspectual systems and the fuzzy semantics of grammatical aspect and help the reader to make their own mind on a topic traditionally viewed as a subcategory of verbal aspect together with lexical aspect. Contributors are Denis Apothéloz, Trang Phan and Nigel Duffield, Galia Hatav, Jens Fleischhauer and Ekaterina Gabrovska, Stephen M. Dickey, Adeline Patard, Laura Baranzini, Jaroslava Obrtelova.
Subjective Perspectives in Ian McEwan's Narrations
Thesis (M.A.) from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Paderborn, 205 entries in the bibliography, language: English, abstract: Ever since McEwan's first publications, his work has received considerable attention from critics and scholars. Thus, it is not surprising that McEwan has been awarded with a number of prizes for his work and that he has been praised to be one of the leading representatives of the young generation. Despite the extraordinary praise of McEwan's work, it has been discussed most controversially. The fact that he often engages taboo subjects like masturbation, incest, regression, child abuse, dismemberment, sadism-masochism etc. earned McEwan the reputation of an author who writes to shock his audience. McEwan himself appears to be surprised about these attributions and objects them. However, it seems to be undisputable that the narrations are extremely shocking but it seems that not only the choice of topics is responsible for the extreme response to McEwan's narrations. In my opinion, the shock value of McEwan's narrations is mainly caused by his particular way to present these topics. In keeping with this, I consider the form of McEwan's narrations to be as important as their content. McEwan seems to experiment with the employment of perspectives, subjective perspectives in particular. In fact, it can be argued that he taps the full potential of the employment of subjective perspectives in his narrations as the reader is confronted with the subjectivity of perspectives on all levels of textual communication. In my opinion, McEwan's most outstanding accomplishment is his ability of depicting subjective perspectives in all consequence. The absence of morality in many of McEwan's narrations, for example, which is usually regarded as an underlying topic, can also be seen as a result of depicting consistently a specific subjective perspective. Therefore, this paper will exa