Perlasca The Courage Of A Just Man


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Italian Film in the Shadow of Auschwitz


Italian Film in the Shadow of Auschwitz

Author: Millicent Joy Marcus

language: en

Publisher: University of Toronto Press

Release Date: 2007-01-01


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Throughout the book, Marcus brings a variety of perspectives to bear on the question of how Italian filmmakers are confronting the Holocaust, and why now given the sparse output of Holocaust films produced in Italy from 1945 to the early 1990s.

Ennio Morricone


Ennio Morricone

Author: Alessandro De Rosa

language: en

Publisher: Oxford University Press

Release Date: 2019-02-01


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Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."

Ought Implies Kant


Ought Implies Kant

Author: Joel Marks

language: en

Publisher: Lexington Books

Release Date: 2009-01-16


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Ought Implies Kant offers an original defense of the ethical theory of Immanuel Kant, and develops an extension of that theoryOs account of moral duty to include direct duties to nonhuman animals. The discussion centers on a critical examination of consequentialism, the view that the rightness or wrongness of an action is determined solely by its consequences. Kantianism, by contrast, claims that the core of ethics is to treat all persons_or, in Joel MarksOs view, all living beings_as ends-in-themselves. The consequentialist criterion would seem to permit, indeed require, violating the dignity of persons (not to mention the dignity of other animals) if this would result in a better outcome. This volume treats the consequentialist challenge to Kantian ethics in several novel ways. To begin with, the utilitarian version of consequentialism is delineated and defended by means of a conceptual device dubbed by the author as the Consequentialist Continuum. Marks then provides an exhaustive and definitive exposition of the relatively neglected Epistemic Objection to utilitarianism. While acknowledging the intuitive appeal of utilitarianismOs core conviction_that we should always do what is for the best_Marks argues that this is an impossible injunction to fulfill, or even to attempt to fulfill, because all of the relevant results of our actions can never be known. Kantianism is then introduced as a viable alternative account of our ethical obligations. Marks argues that Kantianism is well within the scope of normal human competence and conforms equally well to our ethical intuitions once the theoryOs proper interpretation is appreciated. However, KantOs own version must be extended to accommodate the rightful moral consideration we owe to nonhuman animals. Finally, Marks employs the notion of a Consequentialist Illusion to explain utilitarianismOs hold on our moral intuitions, while developing a form of Consequentialist Kantianism to address them. An original and penetrating examination of a central debate in moral philosophy, this book will be of interest to philosophical ethicists, upper-level and graduate philosophy students, and the intellectual reading public.