Perfect Illusion Meaning
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Meaning
Author: Michael Polanyi
language: en
Publisher: University of Chicago Press
Release Date: 2008-12-15
Published very shortly before his death in February 1976, Meaning is the culmination of Michael Polanyi's philosophic endeavors. With the assistance of Harry Prosch, Polanyi goes beyond his earlier critique of scientific "objectivity" to investigate meaning as founded upon the imaginative and creative faculties. Establishing that science is an inherently normative form of knowledge and that society gives meaning to science instead of being given the "truth" by science, Polanyi contends here that the foundation of meaning is the creative imagination. Largely through metaphorical expression in poetry, art, myth, and religion, the imagination is used to synthesize the otherwise chaotic and disparate elements of life. To Polanyi these integrations stand with those of science as equally valid modes of knowledge. He hopes this view of the foundation of meaning will restore validity to the traditional ideas that were undercut by modern science. Polanyi also outlines the general conditions of a free society that encourage varied approaches to truth, and includes an illuminating discussion of how to restore, to modern minds, the possibility for the acceptance of religion.
Morality and Emotion
Despite the many attempts to disentangle the relationship between morality and emotion, as is clear from the myriad of approaches that try to understand the nature and importance of their connection, the extent of this synergy remains rather controversial. The multidisciplinary framework of the present volume was specifically designed to challenge self-containing disciplinary views, encouraging a more integrative analysis that covers various methodological angles and theoretical perspectives. Contributions include discussions on the interrelation between moral philosophy, emotion and identity, namely the clash between grand ethical theories and the practicality of human life; philosophical considerations on akrasia or the so called weakness of will, and the factors behind it; anthropological reflections on empathy and prosocial behavior; accounts from artificial intelligence and evolutionary game theory; and literary and artistic dissections of emotional responses to the representational power of fiction and the image. The inclusion of chapters from varied scientific backgrounds substantially enriches this debate and shows that several core questions, such as the ones related to identity and to the way we perceive the other and ourselves, are transversal. It is therefore valuable and pressing to further explore these common threads, and to encourage disciplinary dialogues across both traditional and emerging fields to help shed new light on the puzzling and fascinating ways in which morality and emotion are mutually imbricated.