Paul M Gould Whose Book Cultural Apologetics Renewing The Christian Voice Conscience And Imagination In A Disenchanted World Zondervan 2019


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Apologetics in 3D


Apologetics in 3D

Author: Peter S. Williams

language: en

Publisher: Wipf and Stock Publishers

Release Date: 2021-09-03


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This collection of papers and other materials from English philosopher Peter S. Williams develops a holistic vision for Christian apologetics centered around a biblical understanding of spirituality. Grounded in two decades of practical experience, here is a vision of apologetics that's interested in communicating through beauty and goodness as well as logic and arguments.

Cultural Apologetics


Cultural Apologetics

Author: Paul M. Gould

language: en

Publisher: Zondervan Academic

Release Date: 2019-03-12


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Renewing the Christian voice, conscience, and imagination so that we can become compelling witnesses of the Gospel in today's culture. Christianity has an image problem. While the culture we inhabit presents us with an increasingly anti-Christian and disenchanted position, the church in the West has not helped its case by becoming anti-intellectual, fragmented, and out of touch with the relevancy of Jesus to all aspects of contemporary life. The muting of the Christian voice, its imagination, and its collective conscience have diminished the prospect of having a genuine missionary encounter with others today. Cultural apologetics attempts to demonstrate not only the truth of the Gospel but also its desirability by reestablishing Christianity as the answer that satisfies our three universal human longings—truth, goodness, and beauty. In Cultural Apologetics, philosopher and professor Paul Gould sets forth a fresh and uplifting model for cultural engagement—rooted in the biblical account of Paul's speech in Athens—which details practical steps for establishing Christianity as both true and beautiful, reasonable and satisfying. You'll be introduced to: The idea of cultural apologetics as distinct from traditional apologetics. The path from disenchantment with how we understand reality to re-enchantment with the reality of the spiritual nature of things. The practical tools of good cultural engagement: conscience, reason, and imagination. Equip yourself to see, and help others see, the world as it is through the lens of the Spirit—deeply beautiful, mysterious, and sacred. With creative insights, Cultural Apologetics prepares readers to share a vision of the Christian faith that is both plausible and desirable, offering clarity for those who have become disoriented in the haze of modern Western culture.

T&T Clark Handbook of Theology and the Arts


T&T Clark Handbook of Theology and the Arts

Author: Stephen M. Garrett

language: en

Publisher: Bloomsbury Publishing

Release Date: 2025-04-24


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This volume presents the theology-arts conversation from a distinctly Christian perspective, as a witness of the Gospel of Christ to the world. A widespread interest in the historical, socio-cultural and political embeddedness of theology and the arts permeates it. This theme of embeddedness tracks through several overarching and interlocking concerns: the relationship between form and content (in both art and theology), the intensification of the metaphysical and the theological (contra materialist and positivist reductionisms), the expansion of the epistemological possibilities of the theology-art conversation, and a robust understanding of the world as the theatre of God's glory. Several chapters have been co-written by theologians and artists as part of demonstrating the kind of conversation that this book commends. A thorough-going commitment to Scripture is also woven into the many different habits of thought represented in this volume. Part I surveys different approaches to the theology-arts conversation. Part II focuses on how particular art forms bring theological issues to the surface and how theological and denominational traditions shape the making and receiving of the arts. Part III delves into key topics in the current theology-arts scene and asks how artistic and theological performance can both speak to theological and artistic knowing, and help to celebrate and interrogate embodied, lived reality.