Patterned Splendour
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Patterned Splendour
Author: Lesley Pullen
language: en
Publisher: ISEAS-Yusof Ishak Institute
Release Date: 2021-03-02
There exist numerous free-standing figurative sculptures produced in Java between the eighth and fifteenth centuries whose dress display detailed textile patterns. This surviving body of sculpture, carved in stone and cast in metal, varying in both size and condition, remains in archaeological sites and museums in Indonesia and worldwide. The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.
British Country Life in Spring and Summer
Contained within this book is a collection of essays, field notes, and diary excerpts from numerous naturalists relating to British country life in Spring and Summer. These fascinating and highly-readable articles will appeal to those with an interest in the British countryside and naturalism in general. Contents include: "Open-air Diary for April", "Open-air Diary for May", "Open-air Diary for June", "Open-air Diary for July", "Open-air Diary for August", "Open-air Diary for September", "Introduction", "In Praise of Rain", "The Otter's Holt", "The Flowers of Early Spring", "Some English Butterflies", "Birds as Architects", etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new biography of Edward Thomas.
Esfir Shub
Author: Ilana Shub Sharp
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2021-12-30
Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub's position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.