Patricia Corona From Denmark Books
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Open Access
A concise introduction to the basics of open access, describing what it is (and isn't) and showing that it is easy, fast, inexpensive, legal, and beneficial. The Internet lets us share perfect copies of our work with a worldwide audience at virtually no cost. We take advantage of this revolutionary opportunity when we make our work “open access”: digital, online, free of charge, and free of most copyright and licensing restrictions. Open access is made possible by the Internet and copyright-holder consent, and many authors, musicians, filmmakers, and other creators who depend on royalties are understandably unwilling to give their consent. But for 350 years, scholars have written peer-reviewed journal articles for impact, not for money, and are free to consent to open access without losing revenue. In this concise introduction, Peter Suber tells us what open access is and isn't, how it benefits authors and readers of research, how we pay for it, how it avoids copyright problems, how it has moved from the periphery to the mainstream, and what its future may hold. Distilling a decade of Suber's influential writing and thinking about open access, this is the indispensable book on the subject for researchers, librarians, administrators, funders, publishers, and policy makers.
The Question of Integration
Author: Karen Fog Olwig
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2011-01-18
The question of integration has become an important concern as many societies are experiencing a growing influx of people from abroad. But what does integration really mean? What does it take for a person to be integrated in a society? Through a number of ethnographic case studies, this book explores varying meanings and practices of integration in Denmark. This welfare society, characterized by a liberal life style and strong notions of social equality, is experiencing an upsurge of nationalist sentiment. The authors show that integration is not just a neutral term referring to the incorporation of newcomers into society. It is, more fundamentally, an ideologically loaded concept revolving around the redefining of notions of community and welfare in a society undergoing rapid social and economic changes in the face of globalization. The ethnographic analyses are authored by anthropologists who wish to engage, as scholars and citizens living and working in Denmark, in one of the most contentious issues of our time. The Danish perspectives on integration are discussed from a broader international perspective in three epilogues by non-Danish anthropologists.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
language: en
Publisher: Getty Publications
Release Date: 2005-10-01
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.