Paranoia The Conspiracy Reader

Paranoia

Were the Apollo moon landings hoaxed? Is Osama bin Laden really dead? Who wrote the occult grimoire, Necronomicon? In this PARANOIA compendium, 24 authors and interviewees discuss the monumental conspiracies of our time, including: What will happen in 2012? * Did the Mob assassinate JFK? * Who is reabducting UFO abductees? * What role do magick and ritual play in The Invisible Government? * Have we received any messages from space? Plus, everything you always wanted to know about UFO think tanks and the mother of all think tanks: Tavistock. This exclusive collection also features the final solution to the economic downturn: Entomophagy (eating insects). Volume 1 includes writings by: Dan Harms, Robert Guffey, Michael A. Cremo, Philip Coppens, Barbara Green, Steve Ahlquist, Iona Miller, Anthony Bragalia, Melinda Leslie, John Kaminski, David Gracer, Mark Elliott and Dail Cantrell. Also, interviews with: Craig Heimbichner, David Ray Griffin, Acharya S, David McGowan, Jarrah White, Roderick A. MacKenzie, III, Ralph René, and Tiny Tim. Featuring artwork by Lee Harvey Roswell, Ned Sonntag, John Moore, Saint John, James Quigley, and Iona Miller.

The Complete Conspiracy Reader

Conspiracy and Paranoia in Contemporary American Fiction

Under the influence of Thomas Pynchon, a generation of postmodern American writers has explored the theme of conspiracy and paranoia, its origins in contemporary American culture, and its political and ideological ramifications. This intense preoccupation with paranoid forms of conceptual organization has helped critics to represent postmodernism as a coherent phenomenon and define it as a period. While for many readers the assumption of periodic homogeneity is still valid, postmodern fiction has, in fact, been diversifying rapidly in the course of its development over the last 20 years. In the works of Don DeLillo and Joseph McElroy, a new set of narrative premises, which mark a significant paradigmatic shift within postmodern American fiction, has begun to emerge from the dialogic interplay with Pynchonesque paranoia.