Parallel Lines
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Parallel Lines
Author: Ian Marchant
language: en
Publisher: Bloomsbury Publishing
Release Date: 2014-12-11
_________________ 'Compelling... Part Bill Bryson, part Nick Hornby, part memoir and part pastiche ... Light, lively and, above all, right: what every enthusiast should be expected to know' - The Times 'Michael Palin meets Nick Hornby meets What the Victorians Did for Us ... wacky and amiable' - Independent on Sunday 'A gloriously disingenuous front for the most acerbic and humorous criticism of public transport policy ... a more entertaining and incisive read will not be found this year' - Glasgow Herald _________________ A brilliantly witty story of one man's encounter with the British railways For 175 years the British have lived with the railway, and for a long while it was a love affair - the grandeur of the Victorian heyday, the glorious age of steam, the romance of Brief Encounter. Then the love affair turned sour - strikes, bad food, delays, disasters... Parallel Lines tells the story of these two railways: the real railway and the railway of our dreams. Travelling all over Britain, Ian Marchant examines the history of the British railway and meets those who still hold the railways close to their hearts - the model railway enthusiasts, the train-spotters and bashers (a hybrid of train-spotting where the individual - usually male - has to travel behind a certain locomotive in order to catalogue it), the steam enthusiasts. He swaps stories with commuters at the far reaches of London suburbia, he travels to deserted railway museums, and smokes cigarettes on remote, windswept stations in the furthest corners of Scotland, turning his characteristic eye for character, humour and surprise to one of the great shared experiences of the British nation. _________________ 'The trip keeps its pace and purpose, fuelled by the genial, flexible rhythms of the prose and enriched by two centuries of railway-culture hinterland' - Independent
To Infinity and Beyond
Eli Maor examines the role of infinity in mathematics and geometry and its cultural impact on the arts and sciences. He evokes the profound intellectual impact the infinite has exercised on the human mind--from the "horror infiniti" of the Greeks to the works of M. C. Escher; from the ornamental designs of the Moslems, to the sage Giordano Bruno, whose belief in an infinite universe led to his death at the hands of the Inquisition. But above all, the book describes the mathematician's fascination with infinity--a fascination mingled with puzzlement. "Maor explores the idea of infinity in mathematics and in art and argues that this is the point of contact between the two, best exemplified by the work of the Dutch artist M. C. Escher, six of whose works are shown here in beautiful color plates."--Los Angeles Times "[Eli Maor's] enthusiasm for the topic carries the reader through a rich panorama."--Choice "Fascinating and enjoyable.... places the ideas of infinity in a cultural context and shows how they have been espoused and molded by mathematics."--Science
Parallel Lines
Parallel Lines describes how post-9/11 cinema, from Spike Lee's 25th Hour (2002) to Kathryn Bigelow's Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11 terrorist attacks. The book combines readings of individual films (World Trade Center, United 93, Fahrenheit 9/11, Loose Change) and cycles of films (depicting revenge, conspiracy, torture and war) with extended commentary on recurring themes, including the relationship between the US and the rest of the world, narratives of therapeutic recovery, questions of ethical obligation. The volume argues that post-9/11 cinema is varied and dynamic, registering shock and upheaval in the immediate aftermath of the attacks, displaying capacity for critique following the Abu Ghraib prisoner abuse scandal mid-decade, and seeking to reestablish consensus during Obama's troubled second term of office.