Pants On Fire Cast

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Bye, Bye Love

Chicago's Pants On Fire Detective Agency targets liars and cheats. But PI Cat DeLuca is once again up to her smokin' skinny jeans in murder. Cat is out running in a neighborhood park when she crashes over the faceless body of Bernie Love. Bernie was the finance guy to the scary Provenza family, with whom he grew up. And friend to Cat's shady, Ferrari-wheeling-cop Uncle Joey. As she hauls out her phone, Cat is assaulted by someone with a Rolex, stun gun, and wheelbarrow. When the cops show up, the killer is gone. And so is the body. Captain Bob, a stickler for habeas corpus, blows off Cat's story. Stung by a chorus of snickers from the Ninth Precinct, home base for DeLuca men, Cat vows to make her case and goes after Rolex man. The murderer, desperate to silence the only person who can place him at the park, comes after Cat. She's quickly on a collision course with the deadliest adversary she's ever encountered—but she has the help of her beagle partner, her gun-happy assistant, an ex-spy (or two), and her outrageous, interfering Italian family. Meanwhile her hot, FBI-boyfriend seems sidelined in Vegas. In Bye, Bye, Love, K.J. Larsen delivers another nail-biting tale rife with unexpected plot twists, zany characters, fabulous food, and laugh-out-loud humor.
Tales from the Front Line of Indie Filmmaking

Tales from the Front lines of Indie Film an other assorted tips for the beginning moviemaker has 19 articles, cautionary tales, and Making Of chronicles from award winning filmmaker Peter John Ross, director of "Horrors of War" and several Sonnyboo Productions. A perfect book for the aspiring Camcorder Kubricks and Backyard Spielbergs just starting out.
111

The enigmatically titled 111 takes a psychoanalytic look at Satan in the context of electronic media and criminal law. Using incisive writing laced with poignant detail, Professors Gary F. Flanigan and Luther G. Williams nudge readers toward an understanding of life's complexities that are too often dismissed as fate. Uncompromising in the presentation of tangible evidence that world evil does not originate as a humanistic occurrence but is supernaturally orchestrated; the book's tone is both educational and conversational. Contemporary allusions and laymen's terms are offered to help readers grasp the Holy Bible not as old or new, but as a Current Testament. With its penetrating examination of conflicting scientific and religious theories that have no biblical basis for acceptance as Gospel, 111 will inspire and challenge a deeper look into personal beliefs and faith.