Palace Of The Drowned

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Palace of the Drowned

"A suspenseful, transporting literary thriller about a British novelist who heads to Venice after a public breakdown, by Christine Mangan, the bestselling author of Tangerine. It's 1966 and Frankie Croy needs a break. Having achieved success with her debut bestseller, she's been trying desperately to live up to the high expectations of her editor and fans, only to fall short with each new book. When she receives a possible career-ending review and then has a very public breakdown, she retreats to her friend's vacant palazzo in Venice in the hopes the new setting will rejuvenate her creativity and inspire her writing. But she finds that she's just as stuck. And then she meets a fellow British expat, a precocious young fan named Gilly who is eager to befriend her favorite author at all costs. An aspiring writer, Gilly worms herself into Frankie's Venetian life and the two begin an uneasy companionship. Frankie is skeptical of someone so relentlessly chipper, and Gilly tells stories that seem too good to be true, and in fact some of them are. This complicated web of desperate friendship, half-truths, and white lies--all set against a once-in-a-generation storm that inundates Venice and leaves it flooded--will lead Frankie to make a choice that is impossible to undo. A gorgeously rendered and twisted tale of art and ambition, Palace of the Drowned is a literary thriller that asks just how far one is willing to go to achieve success"--
The Book of Laughter and Forgetting

'A masterpiece' (Salman Rushdie) by the author of modern classic The Unbearable Lightness of Being. 'It took the temperature of the age as no other book did. It was the great novel of the end of European Communism: a novel of ideas and eroticism, the surreal and the naturalistic.' Howard Jacobson 'One is torn between profound pleasure in the novel's execution and wonder at the pain that inspired it.' Ian McEwan One freezing day in 1948, Klement Gottwald addresses Prague, wearing his comrade Clementis' fur cap - and Communist Czechoslovakia is born. But after being hanged for treason, Clementis is airbrushed out of propaganda photographs. All that remains is a bare wall, and his cap. So begins an unforgettable voyage through seven narratives, interspersed with luminous meditations on politics, philosophy, music and history. A dissident seeks his first lover - now a Party loyalist - to persuade her to return his romantic letters. A married couple manages their ménage-à-trois as Mother moves in. A clandestine horoscope writer is questioned. An émigré widow struggles to reconstruct memories of her late husband, before finding herself on an island of children. A butcher's wife embarks on an affair with a poetic student. And one man prepares to cross the border . . . What readers are saying: 'Kundera embrace politics, sex, philosophy and history, with a seen-it-all cynicism that nevertheless manages to be fascinating and even uplifting ... It was addictive and fun, sexy and cool, easy to read, and made me feel brighter, switched on, and more alive.' 'You must read this novel. Can't tell you about it, you just have to do it yourself. Its bonkers-brilliant! Phantasmagoric originality like this comes very seldom in a reader's so-sweet life.' 'Kundera's unique writing style comes as a revelation ... This holds a special place in my reading history as the one book that I instantly began re-reading as soon as I finished it.' 'Absolutely enchanted me. It's such an unique novel. It speaks of so many things, from communism and regimes to love and art. For me personally, it is a perfect book.' 'I am not going to spoil the story here, but while the story is not supernatural in any way, it takes on a fantastical flavor, full of mysteries and strange emotions ... It is obvious that Kundera has thought a lot about life, about the meaning of life, and lets the reader in on his secrets.' 'Such a unique writer, Kundera! What a way he has to shine the brightest light on the deepest corners of human psyche.'
Inside the Dream Palace

Winner of the National Award for Arts Writing: “If there were a course in Chelsea Hotel-iana, this would be the textbook” (The New York Times). It’s where Dylan Thomas lived his last days, Bob Dylan wrote Blonde on Blonde, and Arthur C. Clarke wrote 2001: A Space Odyssey. It is memorialized by many of its famous inhabitants: Andy Warhol filmed Chelsea Girls there, and Leonard Cohen wrote Chelsea Hotel #2 about his tryst with Janis Joplin. Since its founding by a utopian-minded French architect in 1884, New York’s Chelsea Hotel has been a hotbed of artistic invention and inspiration. Cultural luminaries from Sid Vicious to Thomas Wolfe, Edith Piaf to Patti Smith, Jean-Paul Sartre to Dee Dee Ramone—all made the Chelsea the largest and longest-lived artist community in the world. Inside the Dream Palace tells the hotel’s story, from its earliest days as a cooperative community, through its pop art, rock-and-roll, and punk periods, to its later transformations under new ownership. With this lively and fascinating history, “Tippins tells riveting stories about the Chelsea’s artists, but she also captures a much grander, and more pressing, narrative: that of the ongoing battle between art and capitalism in the city” (The New Yorker). “An inspired investigation into the utopian spirit of the Chelsea Hotel.” —Elle “An impossible order for any writer: Get the Chelsea’s romance down on paper and try to keep up with Patti Smith and Joni Mitchell and Arthur Miller. But Sherill Tippins’s history does a vivid job of taking you up into those seedy, splendid hallways, now gone forever.” —New York magazine “Tippins succeeds where other historians studying New York landmarks have failed: She understands that even the most splendid buildings are mere settings for the personalities that inhabit them, and wisely bypasses rote chronology for the vigor of cultural excavation.” —Time Out New York “Not only essential to the understanding of this crucial New York City—and therefore American—cultural landmark, but as majestic and populous as the edifice itself, and completely entertaining.” —Daniel Menaker, author of My Mistake