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Insularismo

Cultural Writing. Latino/Latina Studies. Translated from the Spanish by Aoife Rivera Serrano. The first and only English translation of the Latin American classic, INSULARISMO, the first book to critique the primary influences that shaped Puerto Rican culture and the Puerto Rican character. Considered to be the most influential book ever penned on the Puerto Rican experience, it is seen as the most controversial product of Puerto Rican discourse in the aftermath of the U.S. invasion. The questions and issues Pedreira raised still beg to be addressed today. A subjective primer, it was written by the benchmark critic of his generation, on the Latin Americans who constituted the first great wave of Spanish-speaking immigrants to the eastern United States. INSULARISMO is a canonical text that is an important contribution to the ongoing debate, not just on Puerto Rican politics and culture but on the culture and politics of our hemisphere.

Audi, Filia

Acoustemologies in Contact

In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence—from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment—this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ‘the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery.