Over Strand And Field

Over Strand and Field

Continuous Casting

Continuous casting is an industrial process whereby molten metal is solidified into a semi-finished billet, bloom, or slab for subsequent rolling in finishing mills; it is the most frequently used process to cast not only steel, but also aluminium and copper alloys. Since its widespread introduction for steel in the 1950s, it has evolved to achieve improved yield, quality, productivity and cost efficiency. It allows lower-cost production of metal sections with better quality, due to the inherently lower costs of continuous, standardized production of a product, as well as providing increased control over the process through automation. Nevertheless, challenges remain and new ones appear, as ways are sought to minimize casting defects and to cast alloys that could originally only be cast via other means. This Special Issue of the journal "Metals" consists of 14 research articles that cover many aspects of experimental work and theoretical modelling related to the ongoing development of continuous casting processes.

My four weeks in France

In "My Four Weeks in France," Ring Lardner deftly employs humor and keen observations to reflect on his experiences during a month-long sojourn in France. The narrative unfolds in a conversational style, blending epistolary elements with witty anecdotes that capture the idiosyncrasies of both the French and American cultures. Lardner's sharp wit and nuanced character portrayals echo the literary lineage of early 20th-century American humorists, while simultaneously engaging with the broader context of expatriate literature during the post-World War I era, which sought to reconcile personal and national identities amidst the changing landscapes of Europe. Ring Lardner, an iconic figure in American literature, is recognized for his mastery in humor and social commentary. His background in journalism and sportswriting greatly influenced his narrative style, enabling him to infuse everyday experiences with significance. Lardner's engagement with themes of identity and dislocation would have stemmed from his own observations of American expatriates, contributing to a rich tapestry of insights that resonate with both nostalgia and critical reflection on cultural dichotomies. This book is highly recommended for readers interested in the intersection of humor and cultural critique, as Lardner's observations provide a compelling and entertaining lens through which to understand the nuances of cross-cultural encounters. Ideal for fans of literary humor and those intrigued by the expatriate experience, "My Four Weeks in France" offers both laughter and profound reflections, making it a distinctive addition to the canon of American travel literature.