Organizing Color
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Organizing Color
Author: Timon Beyes
language: en
Publisher: Stanford University Press
Release Date: 2024-03-12
We live in a world that is saturated with color, but how should we make sense of color's force and capacities? This book develops a theory of color as fundamental medium of the social. Constructed as a montage of scenes from the past two hundred years, Organizing Color demonstrates how the interests of capital, management, governance, science, and the arts have wrestled with color's allure and flux. Beyes takes readers from Goethe's chocolate experiments in search of chromatic transformation to nineteenth-century Scottish cotton mills designed to modulate workers' moods and productivity, from the colonial production of indigo in India to globalized categories of skin colorism and their disavowal. Tracing the consumption, control and excess of industrial and digital color, other chapters stage encounters with the literary chromatics of Pynchon's Gravity's Rainbow processing the machinery of the chemical industries, the red of political revolt in Godard's films, and the blur of education and critique in Steyerl's Adorno's Grey. Contributing to a more general reconsideration of aesthetic capitalism and the role of sensory media, this book seeks to pioneer a theory of social organization—a "chromatics of organizing"—that is attuned to the protean and world-making capacity of color.
Tracking Color in Cinema and Art
Color is one of cinema’s most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings. But what if color is not—or not only—a formal system, but instead a linguistic effect, emerging from the slipstream of our talk and embodiment in a world? This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative. Edward Branigan draws on the work of Ludwig Wittgenstein and other philosophers who struggle valiantly with problems of color aesthetics, contemporary theories of film and narrative, and art-historical models of analysis. Examples of a variety of media, from American pop art to contemporary European cinema, illustrate a theory based on a spectator’s present-time tracking of temporal patterns that are firmly entwined with language use and social intelligence.
Photoshop 7 at Your Fingertips
Author: Jason Cranford Teague
language: en
Publisher: John Wiley & Sons
Release Date: 2006-12-26
Fast Answers—Whatever You Do, However You Work Jason Cranford Teague and Sybex specially designed Photoshop 7 at Your Fingertips to bring to light the capabilities of this complex, powerful program and to show you the best and fastest ways to get your work done. Inside you'll find: A visual reference to the Photoshop interface A complete task-oriented reference to Photoshop, with specific sections for print designers, web designers, and photographers Clear, step-by-step instruction and time-saving tips Multiple techniques for each task, to let you work the way that works for you Every page of this innovative book is focused on getting you the information you need. Its intuitive task-based organization lets you search for what you want to do. Hundreds of cross-references guide you to related topics, and at-a-glance shortcuts and tips provide options and alternatives. And it's all written by an expert author who shares inside knowledge accumulated over years of intensive Photoshop use. Whatever your field or level of experience, you've found the Photoshop reference you've been waiting for.