Ordinary Decent Criminals

An Ordinary Decent Criminal

Not since Jack Reacher has there been such a quickthinking, hard-edged antihero who readers will root for against all odds All recovering drug addict and reformed thief Montgomery Haaviko wants to do is settle down with his wife and baby in their new home and work on building a straight life, one free of the day-to-day hustle and danger of being a career criminal. But for a man who's never held down a legitimate job it isn't going to be easy. When Monty foils a robbery in his new home, killing the intruders, he soon finds he has both a small-time crime boss and a star police sergeant looking for ways to ruin him, run him out of town, or kill him. It's going to take all of the tricks this streetwise ex-con has up his sleeves to prove his innocence, protect his family, and avoid the temptation of the life he left behind. Montgomery Haaviko's Tricks of the Trade: • Be nice. Nice is good. Nice sets a standard. Then, when you get mean, the shock is strongest. • Armored cars are owned by people with guns. • When burglarizing a house move slowly. Then slow down. Now cut it by half. And you've got it. • A couple of drops of crazy glue on the tips of your fingers will eliminate fingerprints.

Ordinary Decent Criminal

Irish Crime Fiction

This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies. This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors’ adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminating the fertile intersections of the two.