On The Spectrum Of Possible Deaths
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Death Poems
Pretty much every poet in every age has written about death and dying. Along with love, it might be the most popular subject in poetry. Yet, until now, no anthology has gathered the best and most famous of these verses in one place. This collection ranges dramatically. With more than 320 poems, it goes across all of history, from the ancients straight through to today. Across countries and languages, across schools of poetry. You’ll find a plethora of approaches—witty, humorous, deadly serious, tear-jerking, wise, profound, angry, spiritual, atheistic, uncertain, highly personal, political, mythic, earthy, and only occasionally morbid. Every angle you can think of is covered—the deaths of children, lost loves, funeral rites, close calls, eating meat, serial killers, the death penalty, roadkill, the Underworld, reincarnation, elegies for famous people, death as an equalizer, death as a junk man, death as a child, the death of God, the death of death . . . . You’ll find death poetry’s greatest hits, including: “Because I Could Not Stop for Death” by Emily Dickinson “To an Athlete Dying Young” by A.E. Housman “Do not go gentle into that good night” by Dylan Thomas “When Lilacs Last in the Dooryard Bloom’d” by Walt Whitman “Annabel Lee” by Edgar Allan Poe The rest of the band includes . . .Jane Austen, Mary Jo Bang, Willis Barnstone, Charles Baudelaire, William Blake, Charlotte Brontë, Lord Byron, Lucille Clifton, Andrei Codrescu, Wanda Coleman, Billy Collins, Ralph Waldo Emerson, T.S. Eliot, Nick Flynn, Benjamin Franklin, Robert Frost, Kimiko Hahn, Homer, Victor Hugo, Langston Hughes, James Joyce, C.S. Lewis, Amy Lowell, W.S. Merwin, Edna St. Vincent Millay, Pablo Neruda, Thich Nhat Hanh, Friedrich Nietzsche, Wilfred Owen, Rainer Maria Rilke, Christina Rossetti, Rumi, Sappho, Shakespeare, Wallace Stevens, Ruth Stone, Wislawa Szymborska, W.B. Yeats, and a few hundred more.
Come Shining
Author: Michael Wiegers
language: en
Publisher: Copper Canyon Press
Release Date: 2023-10-03
A compendium of stories about the importance of poems in people’s lives, accumulating a remarkable history of Copper Canyon Press. For its fiftieth anniversary, Copper Canyon Press invited a broad community of staffers, board members, and poets to help curate a celebratory anthology that it named A House Called Tomorrow. The response to that invitation, however, exceeded the book. The Press received so many stories about the poems, from people far and wide, that it knew it had to publish a second volume—this one. Come Shining is both an oral (and visual) history of Copper Canyon Press and a lasting testament to the power of poetry within people’s lives. If A House Called Tomorrow is the birthday cake, this is the birthday party: a joyous din of reminiscences, laughter, support, and yet more poems, all bound between two covers. Contributor stories are organized across thematic sections—such as “Personal Voltas” and “Stories for Our Tomorrow”—and are accompanied by a timeline of the Press, historic photos, and facsimiles of touching notes that Copper Canyon has received from readers and poets. The result is a remarkable account of a half-century of publishing, proof positive that poetry is, indeed, vital to language and living.
On the Spectrum of Possible Deaths
"Perillo's poetic persona is funny, tough, bold, smart, and righteous. A spellbinding storyteller and a poet who makes the demands of the form seem as natural as a handshake, she pulls readers into the beat and whirl of her slyly devastating descriptions."—Booklist "Whoever told you poetry isn't for everyone hasn't read Lucia Perillo. She writes accessible, often funny poems that border on the profane."—Time Out New York The poetry of Lucia Perillo is fierce, tragicomic, and contrarian, with subjects ranging from coyotes and Scotch broom to local elections and family history. Formally braided, Perillo gathers strands of the mythic and mundane, of media and daily life, as she faces the treachery of illness and draws readers into poems rich in image and story. When you spend many hours alone in a room you have more than the usual chances to disgust yourself— this is the problem of the body, not that it is mortal but that it is mortifying. When we were young they taught us do not touch it, but who can keep from touching it, from scratching off the juicy scab? Today I bit a thick hangnail and thought of Schneebaum, who walked four days into the jungle and stayed for the kindness of the tribe— who would have thought that cannibals would be so tender? Lucia Perillo's Inseminating the Elephant (Copper Canyon Press, 2009) was a finalist for the Pulitzer Prize and received the Bobbitt award from the Library of Congress. She lives in Seattle, Washington.