Oliver Twist Movie
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Oliver!
Author: Marc Napolitano
language: en
Publisher: Oxford University Press
Release Date: 2014-09-12
When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated by American productions, Oliver! already stood out for its overt Englishness. But in writing Oliver!, librettist and composer Lionel Bart had to reconcile the Englishness of his Dickensian source with the American qualities of the integrated book musical. To do so, he turned to the musical traditions that had defined his upbringing: English music hall, Cockney street singing, and East End Yiddish theatre. This book reconstructs the complicated biography of Bart's play, from its early inception as a pop musical inspired by a marketable image, through its evolution into a sincere Dickensian adaptation that would push English musical theatre to new dramatic heights. The book also addresses Oliver!'s phenomenal reception in its homeland, where audiences responded to the musical's Englishness with a nationalistic fervor. The musical, which has more than fulfilled its promise as one of the most popular English musicals of all time, remains one of the country's most significant shows. Author Marc Napolitano shows how Oliver!'s popularity has ultimately exerted a significant influence on two separate cultural trends. Firstly, Bart's adaptation forever impacted the culture text of Dickens's Oliver Twist; to this day, the general perception of the story and the innumerable allusions to the novel in popular media are colored heavily by the sights, scenes, sounds, and songs from the musical, and virtually every major adaptation of from the 1970s on has responded to Bart's work in some way. Secondly, Oliver! helped to move the English musical forward by establishing a post-war English musical tradition that would eventually pave the way for the global dominance of the West End musical in the 1980s. As such, Napolitano's book promises to be an important book for students and scholars in musical theatre studies as well as to general readers interested in the megamusical.
Frame by Frame
Have you ever watched an inappropriately rated movie with children and later regretted it? As hosts of the weekly radio review show and authors of Frame by Frame: 2006-A Family-Friendly Guide to the Movies , Dr. Rus and Sandra Jeffrey cut through the Hollywood hype to offer concise, easy-to-read movie reviews designed with families in mind. In addition to movie reviews, you'll also find a more complete analysis of what they cover on the radio each week. Some movies they "tank," an expression they use when they trash a movie-but that doesn't mean they can't find any redeeming factors. As a result, the couple discusses all aspects of each movie, focusing on the positive and negative elements. Most importantly, the Jeffreys encourage families to watch movies together, and they provide discussion starters so the entire family can talk about what they have just watched. Whether renting movies online or at the local video store, Frame by Frame helps families select movies with the certainty they won't be blindsided by inappropriate content. With its simple rating system, straightforward reviews, and a quick-flip reference guide, Frame by Frame provides the resources you need right at your fingertips. Read and listen to reviews online at www.DrRus.com.
Remakes and Remaking
From »Avatar« to danced versions of »Romeo and Juliet«, from Bollywood films to »Star Wars Uncut«: This book investigates film remakes as well as forms of remaking in other media, such as ballet and internet fan art. The case studies introduce readers to a variety of texts and remaking practices from different cultural spheres. The essays also discuss forms of remaking in relation to neighbouring phenomena like the sequel, prequel and (re-)adaptation. »Remakes and Remaking« thus provides a necessary and topical addition to the recent conceptual scholarship on intermediality, transmediality and adaptation.