Old Blue

Old Blue's Road

In Old Blue’s Road, historian James Whiteside shares accounts of his motorcycle adventures across the American West. He details the places he has seen, the people he has met, and the personal musings those encounters prompted on his unique journeys of discovery. In 2005, Whiteside bought a Harley Davidson Heritage Softail, christened it “Old Blue,” and set off on a series of far-reaching motorcycle adventures. Over six years he traveled more than 15,000 miles. Part travelogue and part historical tour, this book takes the reader along for the ride. Whiteside’s travels to the Pacific Northwest, Yellowstone, Dodge City, Santa Fe, Wounded Knee, and many other locales prompt consideration of myriad topics—the ongoing struggle between Indian and mainstream American culture, the meaning of community, the sustainability of the West's hydraulic society, the creation of the national parks system, the Mormon experience in Utah, the internment of Japanese Americans during World War II, and more. Delightfully funny and insightful, Old Blue’s Road links the colorful history and vibrant present from Whiteside’s unique vantage point, recognizing and reflecting on the processes of change that made the West what it is today. The book will interest the general reader and western historian alike, leading to new appreciation for the complex ways in which the American West's past and present come together.

Oriental Interiors

Since the publication of Edward Said's groundbreaking work Orientalism 35 years ago, numerous studies have explored the West's fraught and enduring fascination with the so-called Orient. Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios. It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theory, design studies, visual culture and gender studies, making this essential reading for students and researchers alike.

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