Oklahoma Borderline By Vince Gill

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For the Music

TO LOVE MUSIC IS TO LOVE VINCE GILL His pure tenor voice, amazing guitar playing, and superb songwriting skills have earned Vince Gill eleven Grammies and seventeen Country Music Association Awards--making him the biggest CMA winner of all time. But it's the man behind the music who inspires so much love and devotion from his fans and his peers. Humble, wholesome, funny, and kind, Vince Gill is a superstar with heart--and his numerous volunteer activities raise millions of dollars for charity every year. From his childhood as the son of a banjo-playing judge in Oklahoma to his roots in Kentucky bluegrass music . . . from his years in Los Angeles as the lead singer for the acclaimed group Pure Prairie League to his first forays into Nashville . . . from his mastery of bluegrass, rock, pop, and country to his acclaim as the host of the annual Country Music Association Awards national telecast . . . here is the heartwarming story of an inspiring man who gives his all for the future, for the fans, and . . . FOR THE MUSIC Vince Gill has won eleven Grammy Awards and seventeen Country Music Association Awards and has sold more than fifteen million albums worldwide.
I'll Be Here in the Morning

Author: Brian T. Atkinson
language: en
Publisher: Texas A&M University Press
Release Date: 2011-11-28
The writer of such influential songs as “Pancho and Lefty,” “To Live’s to Fly,” “If I Needed You,” and “For the Sake of the Song,” Townes Van Zandt exerted an influence on at least two generations of Texas musicians that belies his relatively brief, deeply troubled life. Indeed, Van Zandt has influenced millions worldwide in the years since his death, and his impact is growing rapidly. Respected singer/songwriter John Gorka speaks for many when he says, “‘Pancho and Lefty’ changed—it unchained—my idea of what a song could be.” In this tightly woven, intelligently written book, Brian T. Atkinson interviews both well-known musicians and up-and-coming artists to reveal, in the performers’ own words, how their creative careers have been shaped by the life and work of Townes Van Zandt. Kris Kristofferson, Guy Clark, Billy Joe Shaver, Rodney Crowell, Lucinda Williams, and Lyle Lovett are just a few of the established musicians who share their impressions of the breathtakingly beautiful tunes and lyrics he created, along with their humorous, poignant, painful, and indelible memories of witnessing Van Zandt’s rise and fall. Atkinson balances the reminiscences of seasoned veterans with the observations of relative newcomers to the international music scene, such as Jim James (My Morning Jacket), Josh Ritter, and Scott Avett (the Avett Brothers), presenting a nuanced view of Van Zandt’s singular body of work, his reckless lifestyle, and his long-lasting influence. Forewords by “Cowboy” Jack Clement and longtime Van Zandt manager and friend Harold F. Eggers Jr. open the book, and each chapter begins with an introduction in which Atkinson provides context and background, linking each interviewee to Van Zandt’s legacy. Historians, students, and fans of all music from country and folk to rock and grunge will find new insights and recall familiar pleasures as they read I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt.
The Cowboy in Country Music

This series of biographical profiles shines a spotlight on that special place "Where the West meets the Guitar." From Gene Autry and Roy Rogers to contemporary artists like Michael Murphy, Red Steagall, Don Edwards and Riders in the Sky, many entertainers have performed music of the West, a genre separate from mainstream country music and yet an important part of the country music heritage. Once called "Country and Western," it is now described as "Country or Western." Though much has been written about "Country," very little has been written about "Western"--until now. Featured are a number of photos of the top stars in Western music, past and present. Also included is an extensive bibliography of works related to the Western music field.