Nsurgent Play
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Insurgent Play
Insurgent Play: Social worlds of urban disruption explores play as a transgressive expression that counters the existing urban order (neoliberal, authoritarian, militarised). Insurgent play is disruptive, yet through disruption it brings social worlds into being, undergirds global subcultures and overcomes hostile urban environments characterised by ever-diminishing spaces for free expression. Acts of insurgent play are claims on space lasting from brief moments to years, animating patches of the city designed for commercial, industrial and logistical imperatives. Even in public spaces designed for leisure and play, insurgent play brings different expressions at different speeds, transgressing designated uses and bodily expectations. Through insurgent play people find belonging in the city, especially for those excluded from other spaces based on race, class, sexuality and citizenship. As such, stories of insurgent play are stories of alternative ways of inhabiting cities stemming from the widespread human desire and need for play, for joy and for sociality. Insurgent Play draws upon examples from street skateboarding. Street skateboarding disrupts the city in the pursuit of play, enlivens patches of space through temporary claims, and initiates encounters with authorisers, property owners and citizens gravid with hostility with instants of wonder. Insurgence is a way of being, and the desire for insurgent play cannot be placated by better urban planning or formal expertise. Nor will multiplying designated play spaces, creative precincts and ‘flexible’ public spaces stop people seeking out space to create their own worlds of disruption. The book makes four arguments. First, insurgent play is bodily expression that can challenge, disrupt and transgresses dominant ways of city-making. Second, insurgent play takes us to parts of the urban landscape that we might not otherwise go, politics we might not otherwise recognise and encounters we might otherwise overlook. Third, claims on the city made through insurgent play enliven urban space through transformative power. In this way, these claims territorialise patches of the built environment intended for other uses. Last, insurgent play space is generated from below, never above. Insurgent play shapes, and is shaped by, identities that position adherents in opposition to prevailing urban orders.
Fallujah
Author: Ambush Alley Ambush Alley Games
language: en
Publisher: Bloomsbury Publishing
Release Date: 2012-12-20
Operations Vigilant Resolve and Phantom Fury – the operations to take and hold the city of Fallujah in the face of determined insurgent resistance – were amongst the most dangerous and controversial carried out by the Coalition forces during Operation Iraqi Freedom. These two battles of Fallujah saw some of the heaviest urban combat faced by regular troops in modern times and, even though much of the civilian populace had fled, the enemy was well-armed, well-prepared and driven by a fanatical resolve. With the scenarios and information presented in Fallujah, the latest Force on Force companion, wargamers will find themselves thrown into the narrow, twisting streets of the city, forced to negotiate IEDs, snipers, barricades, and a multinational insurgent force.
Sound Knowledge and the Liminal
Sound Knowledge and the Liminal explores liminality as a key feature of life in the Anthropocene. Drawing on a 6-month research project conducted in Mājro, Marshall Islands, it not only contextualises existing continental literature on liminality with a Pacific-centred perspective but also proposes that sound functions as a principal pathway for understanding wellbeing in one of Micronesia’s most resilient and vibrant urban centres. Locating everyday life in Mājro as constantly shifting between the qualities of continental city and coral atoll, the book traces how the local community uses sound to gain wellbeing in liminal spaces. Synthesising theories on Anthropocene islands, sound knowledge, vibratory labour and the auditory bubble, it highlights ludic appropriation and sonic cocoons as central to the affordances of an urbanised atoll space. Providing a thought-provoking discussion of liminality outside of the context of continental cities, this book will be a vital reading for anyone for studying the relationships between Oceanic lives, sound and liminality. Especially relevant for scholars, it is also suitable for students and researchers in fields such as sound studies, cultural studies, political ecology and Pacific studies.