Novelbin Hindi Novels
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A History of the Indian Novel in English
Author: Ulka Anjaria
language: en
Publisher: Cambridge University Press
Release Date: 2015-07-08
A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was "made Indian" by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.
The Novel in India
First published in 1970, The Novel in India traces the birth and development of prose fiction in Bengali, Marathi, Urdu, Hindi, Tamil and Malayalam. It is addressed not only to academic students of Asian culture but to all who are interested in literary history. India and Pakistan have many great literatures, but they are almost unknown beyond their own boundaries. Language is a formidable barrier, and this book is offered in the hope that it can bridge the cultural divide that language has created. It has a fascinating story to tell of the endeavours, experiments and achievements of writers who deserve to be better known outside their native land.
The Postcolonial Indian Novel in English
Author: Geetha Ganapathy-Doré
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2011-01-18
Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globalization, self-writing in the auto/meta/docu-fictional modes, the musical, pictorial, cinematic and culinary intertextualities that run through this hyperpalimpsestic practice and the politics of gender, caste and language that gives it an inimitable stamp. This concise and readable survey gives us intimations of a truly world literature as imagined by Francophone writers because the postcolonial Indian novel is a concrete illustration of how “language liberated from its exclusive pact with the nation can enter into a dialogue with a vast polyphonic ensemble.”