Not Old Meaning

The Philosophy of TV Noir

Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many émigré filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention. The introduction traces the development of TV noir and provides an overview and evaluation of the book's thirteen essays, each of which discusses an exemplary TV noir series. Realism, relativism, and integrity are discussed in essays on Dragnet, Naked City, The Fugitive, and Secret Agent. Existentialist themes of authenticity, nihilism, and the search for life's meaning are addressed in essays on Miami Vice, The Sopranos, Carnivale, and 24. The methods of crime scene investigation in The X-Files and CSI are examined, followed by an exploration of autonomy, selfhood, and interpretation in The Prisoner, Twin Peaks, The X-Files, and Millennium. With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right.

Systems Methodology in Social Science Research

From the beginning, the systems research movement has shown a high potential for offering a conceptual framework for the understanding of social systems. Much of this potential has been realized, but a major gap remains with regard to operational investigative aids. Developments of the last ten years with a method ological orientation and emphasis seem finally to be filling this gap. The purpose of this book is to describe the most advanced of these developments and to make them available to a wider audience. The emphasis is on developments that are primarily oriented toward interaction with expertise in the social sciences and that thus hold the most promise for social systems investigation. In particu lar, attempts have been made to provide substantiation and illustration of three main points: (1) the common motivation and essential integrability that systems research provides for developments and considerations along a very broad spec trum of interests; (2) the very diverse nature of the types and forms of considera tions that may be meaningfully integrated; and (3) the operational and usable nature that developments in systems methodology represent for research in the social sciences. The book is divided into three parts with a generally increasing degree of specificity. The first part (Chapters 1, 2, and 3) deals with foundational issues associated with modeling and methodology as areas worthy of study in their ix X PREFACE own right.

Fuzzy Set Theory and Its Applications