Noor Alfallah
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Real Men Don't Go Woke
Men are an endangered species. They are four times more likely to die by suicide than women, their life expectancy is declining, and their depression and loneliness are skyrocketing. Testosterone levels in young men are plummeting, the male Y chromosome is shrinking, and ninety percent of workplace deaths belong to men. These threats to manhood aren't just occurring in the United States; they are life-threatening emergencies in Europe, China, Japan, Sweden, and India. Our culture pushes men to reject traditional masculinity as “toxic” while offering a “woke” alternative that demands weakness and silence. Women lament the loss of “Real Men,” yet why should men step up when the world castrates, cancels, and crushes their efforts? Men are struggling to define themselves. Real Men Don’t Go Woke challenges the status quo, drawing wisdom from Sun Tzu’s The Art of War. It provides a new brand of male strength that uses intellect and vulnerability. With a roadmap for emotional resilience and authentic expression, this book sparks a movement to proudly reclaim masculine identity and build a future where men will thrive.
Boy Bands and the Performance of Pop Masculinity
Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from the Beatles to One Direction, placing the modern male pop group within the wider context of twentieth- and twenty-first-century popular music and culture. Offering the first extended look at pop masculinity as exhibited by boy bands, this volume links the evolving expressions of gender and sexuality in the boy band to wider economic and social changes that have resulted in new ways of representing what it is to be a man. The popularity of boy bands is unquestionable, and their contributions to popular music are significant, yet they have attracted relatively little study. This book fills that gap with chapters exploring the challenges of defining the boy band phenomenon, its origins and history from the 1940s to the present, the role of management and marketing, the performance of gender and sexuality, and the nature of fandom and fan agency. Throughout, the author illuminates the ways in which identity politics influence the production and consumption of pop music and shows how the mainstream pop of boy bands can both reinforce and subvert gender and class hierarchies.
The Stone Age
'However much you thought you knew about The Stones before you read it, afterwards you'll know more. It's glittering' - Simon Napier-Bell 'Special [...] it's brilliant' Johnnie Walker From Sunday Times bestselling author Lesley-Ann Jones On 12 July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil', they created some of the most thrilling music ever recorded. Now, their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad and often ugly, here are the Rolling Stones as never before.