Nobody Better Better Than Nobody

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Nobody Better, Better Than Nobody

Author: Ian Frazier
language: en
Publisher: Farrar, Straus and Giroux
Release Date: 2003-10-01
Nobody Better, Better Than Nobody is a collection of five extended essays that appeared in The New Yorker from 1978 to 1986. In the tradition of A. J. Liebling and Joseph Mitchell, Frazier raises journalism to high literary art. His vivid stories showcase a strange and wonderful parade of American life, from portraits of Heloise, the syndicated household-hints columnist, and Jim Deren, the urban fly-fisher's guru, to small-town residents in western Kansas preparing to celebrate a historic, mutual massacre, to which they invite the Cheyenne Indians' descendants with the promise of free bowling.
The Quotable Fisherman

When they're not at their favorite sport, anglers will find great entertainment in more than 350 quotations by writers such as Lord Byron, Cervantes, Arthur Ransome, Ted Leeson, and, of course, Ernest Hemingway, author of that unrivaled novel of struggle between man and fish, The Old Man and the Sea.
The Homewood Trilogy

Author: John Edgar Wideman
language: en
Publisher: Simon and Schuster
Release Date: 2023-11-14
From “master of language” (The New York Times) John Edgar Wideman, a reissue of the revered trilogy that launched his career—two novels and story collection all set in Wideman’s own hometown. Damballah, Hiding Place, and Sent for You Yesterday provide a stunning introduction to the uncompromising work of John Edgar Wideman, whose literary achievements have inspired The New York Times to name him “one of America’s premier writers of fiction.” Damballah’s narratives examine the vexed history of Homewood, a Pittsburgh, Pennsylvania neighborhood whose origins are rooted in a time when slavery was still legal in the United States of America. The novels Hiding Place and Sent for You Yesterday personalize and interrogate that history’s presence in the contemporary lives of Homewood people and all Americans. Deeply concerned that designations such as “economically oppressed” or “Black” continue to dismiss and marginalize rather than embrace communities like the one in which he was raised, John Edgar Wideman—employing words on the page as his weapon—has dedicated himself to recording the weight, beauty, complexity, and justice that he believes Homewood’s voices, stories, and lives have earned and deserve. In 1983, The Homewood Trilogy signaled the arrival of a major voice in American literature. Forty years later, this edition of the Trilogy celebrates Wideman’s ongoing contribution by offering these masterworks to a new generation of readers.