No Exit Ending Explained
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The Art of the Short Fiction Film
This work is the first of its kind to single out individual short fiction films for comprehensive presentation and close study. Two Men and a Wardrobe (Roman Polanski, Poland, 1958, 15 min.), Coffee and Cigarettes (Jim Jarmusch, USA, 1986, 6 min.), Sunday (John Lawlor, Ireland, 1988, 8 min.), Cat's Cradle (Liz Hughes, Australia, 1991, 12 min.), Eating Out (Pal Sletaune, Norway, 1993, 7 min.), Come (Marianne Olsen Ulrichsen, Norway, 1995, 4.5 min.), Wind (Marcell Ivanyi, Hungary, 1996, 6 min.), Possum (Brad McGann, New Zealand, 1997, 14 min.), and The War Is Over (Nina Mimica, Italy, 1997, 7 min.) are the nine short fiction films studied. The films represent a broad range of storytelling approaches and a number of very different film cultures. Each film has a chapter of its own, including a shot-by-shot reproduction of the film with a still from every shot. In most cases, an interview with the director and an original screenplay and storyboard is also included. The book also describes a new conceptual model, derived from the films studied in the work, which can be used both for analyzing the ways in which a short fiction film tells its story and as a set of guidelines for student filmmakers writing their own screenplays. Instructors considering this book for use in a course may request an examination copy here.
Parasite: A Philosophical Exploration
Parasite is a philosophically interesting film because it presents the ethico-biological problem of parasitism in a metaphorical and artistic fashion. Michel Serres, in his book called The Parasite, holds that parasites are not in fact useless, but that they establish communications between different spheres and are thus able to transform large-scale organisms. Parasites import coincidences, activate defence systems, and establish new links with the host. In this book, philosophers explore the film from various angles: using the ancient satirist Lucian’s De Parasito, Nietzsche’s concept of “the vengeance of the weak,” Dostoyevsky’s “underground,” Marxism, and many more.
Software Error Detection through Testing and Analysis
An in-depth review of key techniques in software error detection Software error detection is one of the most challenging problems in software engineering. Now, you can learn how to make the most of software testing by selecting test cases to maximize the probability of revealing latent errors. Software Error Detection through Testing and Analysis begins with a thorough discussion of test-case selection and a review of the concepts, notations, and principles used in the book. Next, it covers: Code-based test-case selection methods Specification-based test-case selection methods Additional advanced topics in testing Analysis of symbolic trace Static analysis Program instrumentation Each chapter begins with a clear introduction and ends with exercises for readers to test their understanding of the material. Plus, appendices provide a logico-mathematical background, glossary, and questions for self-assessment. Assuming a basic background in software quality assurance and an ability to write nontrivial programs, the book is free of programming languages and paradigms used to construct the program under test. Software Error Detection through Testing and Analysis is suitable as a professional reference for software testing specialists, software engineers, software developers, and software programmers. It is also appropriate as a textbook for software engineering, software testing, and software quality assurance courses at the advanced undergraduate and graduate levels.