Nimona 2
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Lumberjanes To The Max Edition Vol. 2
Together, Jo, April, Mal, Molly, and Ripley take on everything that goes bump in the night. From scary stories to magical portals that lead to a land untouched by time, it¡¯s definitely not your average summer! Camp counselor Jen just wants to have a normal lesson with her cabin, teaching them the basic survival skills needed without any supernatural intervention, when a blizzard hits camp! This deluxe hardcover edition collects issues #9-12, 14-17 of the New York Time bestselling series along with a wealth of behind-the-scenes material.
Nimona
Author: Noelle Stevenson
language: fr
Publisher: Dargaud
Release Date: 2020-01-17T00:00:00+01:00
Nimona, une superhéroïne pas comme les autres : un récit fantastique sorti tout droit de l'imaginaire déjanté de Noëlle Stevenson. Nimona est une jeune fille impétueuse qui a le chic pour la bagarre, les plans diaboliques et le chaos en règle générale. Elle a le don de changer d'apparence, ça aide (surtout quand elle se transforme en dragon) ! Lord Ballister Blackheart est l'homme le plus célèbre du royaume : cantonné dans le rôle de méchant, il veut rétablir la vérité et prouver à tous que sir Goldenloin et ses potes du ministère ne sont pas les héros qu'on croit. Ensemble, ils mènent une vendetta impitoyable et explosive. Nimona, un one shot explosif !
It Used to be Witches
Playfully blending personal memoir, criticism and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey's engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present. Andrew Haigh ( All of Us Strangers), Cheryl Dunye ( The Watermelon Woman), Isabel Sandoval ( Lingua Franca) and Bruce LaBruce ( No Skin Off My Ass) are among the directors who reveal how queer artists use film to express their most personal truths-and to challenge, defy and outrage a world that would rather they didn't exist. That world might look rainbow-coloured from some angles, with the likes of Brokeback Mountain, Call Me By Your Name, Moonlight and Portrait of a Lady on Fire winning awards and acclaim. But as queer and trans people find themselves increasingly under attack, It Used to Be Witches asks whether cinema can be an effective weapon of resistance and change, and celebrates an outlaw spirit which refuses to die.