Next Year In Cuba A Cubano S Coming Of Age
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Next Year in Cuba: A Cubano's Coming of Age
Author: Gustavo P?rez Firmat
language: en
Publisher: Arte Publico Press
Release Date: 1995-01-01
Gustavo P?rez Firmat arrived in America with his family at the age of eleven. Victims of CastroÍs revolution, the P?rez family put their life on hold, waiting for CastroÍs fall. Each Christmas, along with other Cuban families in the neighborhood, they celebrated with the cry, ñNext year in Cuba.î Growing up in the Dade County school system, and graduating from college in Florida, P?rez Firmat was insulated from America by the nurturing sights and sounds of Little Havana. It wasnÍt until he left home to attend graduate school at the University of Michigan that he realized, as the Cuba of his birth receded farther into the past, he had become no longer wholly Cubano, but increasingly a man of two heritages and two countries. In a searing memoir of a family torn apart by exile, P?rez Firmat chronicles the painful search for roots that has come to dominate his adult life. With one brother beset by personal problems and another embracing the very revolution that drove their family out of Cuba, Gustavo realized that the words ñNext Year in Cuba,î had, for him, taken on a hollow ring. Now, married to an American woman, and father to two children who are Cuban in name only, P?rez Firmat has finally come to acknowledge his need to celebrate his love of Cuba, while embracing the America he has come to love.
Unbecoming Blackness
2014 Runner-Up, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies In Unbecoming Blackness, Antonio López uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. López shows how Afro-Cuban writers and performers in theU.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, Rómulo Lachatañeré, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an “unbecoming” relationship between Afro-Cubans in the U.S and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the U.S., provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.
Essays in Cuban Intellectual History
Well-known essayist and Cuban historian Rafael Rojas presents a collection of his best work, one which focuses on - and offers alternatives to - the central myths that have organized Cuban culture from the nineteenth century to the present. Rojas explores the most important themes of Cuban intellectual history, including the legacy of José Martí, the cultural effect of the war in 1898, the construction of a national canon of Cuban literature, the works of classical intellectuals of the republican period, the literary magazine Orígenes, the ideological impact of the Cuban Revolution, and the possibilities of a democratic transition in the island at the beginning of the twenty-firstcentury.