New Star Trek Shows Coming
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The New Trek Programme Guide
STAR TREK is one of the world's most popular and enduring science fiction franchises, spanning decades' worth of TV, film, comics, books and more. This book - originally published just as DEEP SPACE NINE was first being produced - analyses the rebirth and renaissance of the series in the nineteen eighties and nineties. Along with masses of factual information - plot synopses, cast and crew and, uniquely, British transmission dates - this Programme Guide casts a gently critical eye over the series' continuity (and lack of it) and lingers over the moments of humour (intentional and otherwise). In sum, this is a light-hearted, detailed and affectionate overview of the revitalised version of the classic STAR TREK. Please note that it has not been updated since its original publication.
The Mammoth Book of Best New SF 16
Michael Swanwick, Geoff Ryman, Allen Steele, Nancy Kress, Robert Reed, Michael Cassott, Charles Stross are just some of the high-profile names that feature in this volume of what is now regarded as essential reading for every science-fiction fan. This year's edition includes not just the biggest names in science-fiction writing but also many of its other brightest young talents too, as well as even more stories than ever before. All this, and the usual thorough summations of the year, plus a list of recommended reading, more than upholds an established tradition of value and excellence.
Late Star Trek
How Star Trek’s twenty-first-century reinventions illuminate the unique challenges and opportunities of franchise-style corporate storytelling Late Star Trek explores the beloved science fiction franchise’s repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek’s sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling. Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas. Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.