New Directions And Paradigms For The Study Of Greek Architecture
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New Directions and Paradigms for the Study of Greek Architecture
New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies.
The Cambridge Companion to Ancient Athens
Author: Jenifer Neils
language: en
Publisher: Cambridge University Press
Release Date: 2021-02-18
This book is a comprehensive introduction to ancient Athens, its topography, monuments, inhabitants, cultural institutions, religious rituals, and politics. Drawing from the newest scholarship on the city, this volume examines how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman urbs.
Retrospective Columns
Author: Samuel Holzman
language: en
Publisher: Princeton University Press
Release Date: 2025-10-07
An innovative study of how and why ancient Greek builders sometimes combined older and contemporary carving styles when making capitals The Ionic order of ancient Greek architecture gradually evolved over the course of the sixth century BCE. In Retrospective Columns, Samuel Holzman examines an overlooked group of nine Ionic monuments that are varied in design but have capitals that combine the pillowy, convex volutes of sixth-century Ionia on one side and the crisp concave volutes of more contemporary styles on the other. Such hybrid capitals had a surprising longevity and range, spanning Greece, Italy, and Turkey between 550 and 250 BCE. Why did ancient Greek builders sometimes revert to older carving styles and combine them with newer ones? One old theory is that outdated styles were a labor-saving shortcut—a notion Holzman puts to rest with a marble carving experiment that recreated the volutes of one capital. Rather, he argues that hybrid capitals represented an important parallel to other trends in Greek art, notably “bilingual” Attic vases, which combined older and newer painting techniques for sheer visual delight. By studying the chiaroscuro carving effects and painted polychrome decoration of Ionic architecture, Holzman shows that ancient viewers were primed to look for differences in such details, which the book illustrates with many original drawings and diagrams. Exploring works of Ionic architecture from different periods in Ionia, the Cyclades, Athens, and the Northern Aegean, Retrospective Columns demonstrates that their builders ultimately returned to outmoded elements to establish continuity with the past, reinforcing community identities and architectural tradition.