New And Selected Poems Volume 1

Pages from the Book of the Sun

Bender

"In Young's work, the big essential questions—mortality, identity, the meaning of life—aren't simply food for thought; they're grounds for entertainment."—Toronto Star "Surrealism seldom seems as much like real life as in Young's hilarious and cautionary poems."—Booklist Bender gathers a generous selection of new work along with treasure from Dean Young's twelve volumes. Strongly influenced by Surrealism, Dean Young's poems flash with extravagant imagery, humorous speech, sly views of the quotidian, and the exposed nerves of heartache. As the American Academy of Arts and Letters raved, "Young's poems are as entertaining as a three-ring circus and as imaginative as a canvas by Hieronymus Bosch. He is one of the most inventive and satisfying poets writing today." From "Even Funnnier Looking Now": If someone had asked me then, Do you suffer from the umbrage of dawn's dark race horses, is your heart a prisoner of raindrops? Hell yes! I would have said or No way! Never would I have said, What could you possibly be talking about? I had just gotten to the twentieth century like a leftover girder from the Eiffel Tower. My Indian name was Pressure-Per-Square-Inch. I knew I was made of glass but I didn't yet know what glass was made of: hot sand inside me like pee going all the wrong directions, probably into my heart which I knew was made of gold foil glued to dust . . .

Bride of Ice

When Elaine Feinstein first read the poems of Marina Tsvetaeva in Russian in the 1960s, the encounter transformed her. 'What drew me to her initially,' she writes, 'was the intensity of her emotions, and the honesty with which she exposed them.' Her translations, first published to great acclaim in 1971, introduced Tsvetaeva to English readers. It was the start of Feinstein's continuing engagement with a poet who has been an enduring, challenging inspiration to her, and whose life she has written. To this enlarged edition Elaine Feinstein adds five major pieces. 'Girlfriend', a sequence of lyrics, was written for Tsvetaeva's lover Sofia Parnok. In 'New Year's Greetings' she responded to the death of Rainer Maria Rilke. 'On a Red Horse' is a dramatic fairytale of power and cruelty. 'Wires', of which two lyrics were included in the earlier edition, now appears in full; and a previously omitted lyric from 'Poem of the End' has been translated. With a new introduction, notes and bibliography of works in English, Bride of Ice brings Tsvetaeva to a new generation of readers.