Net Als Toen
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Translation through grammar
Alltranslation is a compromise-the effort to be literal and the e. ffort to be idiomatic BenjaminJowett (1817-93) This book is designed to provide intermediate and advanced students of English with practice in the translation ofDutch texts into English. It contains fifty prose passages, most of them taken from recent Dutch novels or journals, all of them tried out on several generations of our own students in the 'pre-kandidaatsfase' of their studies at the English Department of the University of Nijmegen. In these respects, it is not spectacularly different from many other books ofits kind. We have, however, tried to offer the student rather more support in his translation work than is usually clone: each text is provided with a suggested translation of the first few lines and with notes containing information on grammar and idiom, sometimes preceded by supplementary material from British or American sources. The second part of the book comprises a short contrastive grammar speciallywritten to meet theneeds oftheuser. In this way wehope to offer a self-contained translation course which reinforces the interdependence of grammar, vocabulary, textual interpretation and style. Most ofthe texts in this book are reproduced in substantially the sameform and wording as in the original sources. In some cases editing was necessary in order, for example, to reduce long articles to more manageable proportions. In no cases, however, were we moved to doctor the originals in order to disambiguate them or to make them easier to translate.
Eurovision!
An entertaining look at the changing face of the Eurovision Song Contest and the political and cultural influences behind its kitsch and glitzy façade. Do you think the world of the Eurovision Song Contest, with its crazy props, even crazier dancers, and crazier still songs has nothing to do with serious European politics? Think again. The contest has been a mirror for cultural, social, and political developments in Europe ever since its inauguration, when an audience in dinner jackets and ball gowns politely applauded each song. It has been a voice of rebellion across the Iron Curtain, an inspiration for new European nations in the 1990s and 2000s, the voice of liberation for both sexual and regional minorities. It even once triggered a national revolution. Eurovision! charts both the history of Europe and the history of the Eurovision Song Contest over the last six decades, and shows how seamlessly they interlink — and what an amazing journey it has been.