Need A Little Time Lyrics

The Ballad of John Latouche

Born into a poor Virginian family, John Treville Latouche (1914-56), in his short life, made a profound mark on America's musical theater as a lyricist, book writer, and librettist. The wit and skill of his lyrics elicited comparisons with the likes of Ira Gershwin, Lorenz Hart, and Cole Porter, but he had too, noted Stephen Sondheim, "a large vision of what musical theater could be," and he proved especially venturesome in helping to develop a lyric theater that innovatively combined music, word, dance, and costume and set design. Many of his pieces, even if not commonly known today, remain high points in the history of American musical theater. "A great American genius" in the words of Duke Ellington, Latouche initially came to wide public attention in his early twenties with his cantata for soloist and chorus, Ballad for Americans (1939), with music by Earl Robinson-a work that swept the nation during the Second World War. Other milestones in his career included the all-black musical fable, Cabin in the Sky (1940), with Vernon Duke; an interracial updating of John Gay's classic, The Beggar's Opera, as Beggar's Holiday (1946), with Duke Ellington; two acclaimed Broadway operas with Jerome Moross: Ballet Ballads (1948) and The Golden Apple (1954); one of the most enduring operas in the American canon, The Ballad of Baby Doe (1956), with Douglas Moore; and the operetta Candide (1956), with Leonard Bernstein and Lillian Hellman. Extremely versatile, he also wrote cabaret songs, participated in documentary and avant-garde film, translated poetry, adapted plays, and much else. Meanwhile, as one of Manhattan's most celebrated raconteurs and hosts, he developed a wide range of friends in the arts, including, to name only a few, Paul and Jane Bowles (whom he introduced to each other), Yul Brynner, John Cage, Jack Kerouac, Frederick Kiesler, Carson McCullers, Frank O'Hara, Dawn Powell, Ned Rorem, Virgil Thomson, Gore Vidal, and Tennessee Williams-a dazzling constellation of diverse artists working in sundry fields, all attracted to Latouche's brilliance and joie de vivre, not to mention his support for their work. This book draws widely on archival collections both at home and abroad, including Latouche's diaries and the papers of Bernstein, Ellington, Moore, Moross, and many others, to tell for the first time, the story of this fascinating man and his work.

Said And Done

Roger McGough is one of Britain's best-loved poets, and something of a national institution. His name is ubiquitous with matter-of-fact Scouse humour, easy-going charm, and perfect observations of the idiosyncrasies of everyday life, whether you know him from his poetry, or from his regular broadcasts on television or radio. Roger first rose to prominence in the 1960s as a member of the pop group The Scaffold, who had two number one hits - Thank U Very Much and Lily The Pink. He began his poetry career performing with The Grimms, alongside fellow Liverpool poets Adrian Henri and Brian Patten, with whom he went on to publish The Mersey Sound, which remains the biggest-selling British poetry book ever. This is his autobiography - and like the best of his poetry it is packed full of hilarious observations, unbelievable stories, nostalgic reminiscences and bittersweet tales of love, life and loss. From his memories of growing up in Liverpool, playing in bombed out houses as a young boy, to the skiffle-crazed days of his adolescence, through to his time at university - and his meetings there with Larkin. He explores his sudden, almost overnight fame and success with Mike McCartney et all in The Scaffold, as well as his time working with George Martin, and co-writing the Yellow Submarine film script for the Beatles, through his international touring days, to the present. He certainly has many a story to tell about meeting some fascinating characters: Bob Dylan, John Lennon, Marlon Brando, Alan Ginsberg, Pete McCarthy and Salman Rushdie all appear amongst others, but it's his sheer story-telling nous, and his gift for observing the minutia of everyday life, and to completely capture a moment in time which sets this apart from other books. His life story is one that will be universally identifiable to those who grew up with him - who embraced the verve and irreverence of the sixties, only to end up as slightly embittered romantic cynics. This is done here in the most funny, poignant, bittersweet, and melancholic autobiography you will read this year - a man whose hugely popular take on it all resonates with honesty and humour.

On the Questions of Jesus