Nationalism And Desire In Early Historical Fiction
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Nationalism and Desire in Early Historical Fiction
Nationalism and Desire in Early Historical Fiction analyses a sequence of early-nineteenth-century British and American texts from a perspective informed by Rene Girard's theory of triangular of 'mimetic' desire. Jane Porter's The Scottish Chiefs , Sydney Owenson's The Wild Irish Girl , Sir Walter Scott's Waverley , Old Mortality , Rob Roy , The Pirate and Redgauntlet , and Fenimore Cooper's The Last of the Mohicans and Lionel Lincoln are given detailed new readings. General conclusions about the relationship of desire and nationalism in historical fiction are proposed.
Bannockburns
Author: Robert Crawford
language: en
Publisher: Edinburgh University Press
Release Date: 2014-01-14
Poet and critic Robert Crawford explores in eloquent detail the literary-cultural background to Scottish nationalism in the lead-up to the referendum on independence for Scotland from the United Kingdom in September 2014. He begins with the totemic Battle of Bannockburn in 1314, in which the Scots routed the English and preserved their independence until the two nations' parliaments united in 1707. Paying particular attention to Robert Burns and continuing up to the present day, he examines how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence. Publication coincides with the 700-year anniversary of the Battle of Bannockburn.
The Cambridge Companion to Fiction in the Romantic Period
Author: Richard Maxwell
language: en
Publisher: Cambridge University Press
Release Date: 2008-02-21
While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.