Narrative Complexity
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Narrative Complexity
Author: Marina Grishakova
language: en
Publisher: U of Nebraska Press
Release Date: 2019-08-01
The variety in contemporary philosophical and aesthetic thinking as well as in scientific and experimental research on complexity has not yet been fully adopted by narratology. By integrating cutting-edge approaches, this volume takes a step toward filling this gap and establishing interdisciplinary narrative research on complexity. Narrative Complexity provides a framework for a more complex and nuanced study of narrative and explores the experience of narrative complexity in terms of cognitive processing, affect, and mind and body engagement. Bringing together leading international scholars from a range of disciplines, this volume combines analytical effort and conceptual insight in order to relate more effectively our theories of narrative representation and complexities of intelligent behavior. This collection engages important questions on how narrative complexity functions as an agent of cultural evolution, how our understanding of narrative complexity can be extended in light of new research in the social sciences and humanities, how interactive media produce new types of narrative complexity, and how the role of embodiment as a factor of narrative complexity acquires prominence in cognitive science and media studies. The contributors explore narrative complexity transmitted through various semiotic channels, embedded in multiple contexts, and experienced across different media, including film, comics, music, interactive apps, audiowalks, and ambient literature.
Narrative Complexity
Author: Marina Grishakova
language: en
Publisher: U of Nebraska Press
Release Date: 2019-08
The variety in contemporary philosophical and aesthetic thinking as well as in scientific and experimental research on complexity has not yet been fully adopted by narratology. By integrating cutting-edge approaches, this volume takes a step toward filling this gap and establishing interdisciplinary narrative research on complexity. Narrative Complexity provides a framework for a more complex and nuanced study of narrative and explores the experience of narrative complexity in terms of cognitive processing, affect, and mind and body engagement. Bringing together leading international scholars from a range of disciplines, this volume combines analytical effort and conceptual insight in order to relate more effectively our theories of narrative representation and complexities of intelligent behavior. This collection engages important questions on how narrative complexity functions as an agent of cultural evolution, how our understanding of narrative complexity can be extended in light of new research in the social sciences and humanities, how interactive media produce new types of narrative complexity, and how the role of embodiment as a factor of narrative complexity acquires prominence in cognitive science and media studies. The contributors explore narrative complexity transmitted through various semiotic channels, embedded in multiple contexts, and experienced across different media, including film, comics, music, interactive apps, audiowalks, and ambient literature.
The Narrative Complexity of Ordinary Life
Author: William L. Randall
language: en
Publisher: Oxford University Press
Release Date: 2015-08-20
Our everyday lives are enmeshed in storytelling: the stories we tell about our memories, the people we know, and the world we inhabit; those we tell about our families and communities; and the narratives we encounter in books, movies, and television. Narrative structures how we view ourselves and everything around us. In The Narrative Complexity of Ordinary Life, William L. Randall shows how concepts central to the study of narrative psychology--such as narrative development and the interrelation between narrative and identity, cognition, and development--are integral to everyday life. He makes the case that all people function as narrative psychologists by continually storying their lives in memory and imagination, as well as speculating on the stories that others may be living, a process that Randall refers to as storyotyping. Relying heavily on narrative, Randall draws from experiences in his own life to illustrate various concepts in narrative psychology. His inquiry leads him to the topics of gossip, rumor, and the narrative complexity of nostalgia. In doing so, he makes the case that all people function as narrative psychologists by continually storying - or, cementing - their lives in memory and imagination, a process Randall refers to as "storyotyping".