Mythos Orpheus Texte Von Vergil Bis Ingeborg Bachmann
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Myth as Symbol
Author: Sonia Saporiti
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2014-10-16
The mythological patrimony is an excellent example of the unconscious creative ability that brings reason both to the existence of myth as well as to its symbolic function. Reconsidering the connection between literature and psychoanalysis, this study starts from the Jungian archetypal theory up to the Freudian unconscious and its ability to produce symbols, and provides the tools for a reading of the phenomenon of the literary reworking, in the modern age, of meaningful themes and mythological figures. Therefore, revising and rewriting the myth means thinking again about one’s cultural memory, attempting to re-propose in a new dimension the ever present questions that have not found an answer and which the figures of the myth symbolise across the time. The attention focuses on figures like the elementary spirits of Romantic imagery, in particular on that of the Wasserfrau, up to the analysis of a twentieth-century reinterpretation of the myth of Undine. Moreover the Medea myth is reconsidered starting from the contradiction implicit in this figure – and in that of every Mother Goddess – in order to then explore the most problematic and conflicting aspect of this image of womanhood, the infanticide, which over time becomes the symbol of the denial of the maternal principle.
Twentieth-Century Metapoetry and the Lyric Tradition
Author: Daniella Jancsó
language: en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2019-02-19
Twentieth-Century Metapoetry and the Lyric Tradition reveals the unique value of metapoems for exploring twentieth-century poetry. By placing these texts into a hitherto barely investigated literary-historical perspective, it demonstrates that modern metapoetry is steeped in the lyric tradition to a much greater extent than previously acknowledged. Since these literary continuities that cut across epochal boundaries can be traced across all major poetic movements, they challenge established accounts of the history of twentieth-century poetry that postulate a radical break with the (immediate) past. Moreover, the finding that metapoems perpetuate traditional forms and topoi distinguishes metapoetry historically and systematically from metafiction and metadrama. After highlighting the most important differences as regards to the function of metareference in poetry on the one side, and in fiction and drama on the other, the book concludes with a discussion of how to account for these generic differences theoretically. With its "extraordinarily subtle and perceptive" (Ronald Bush, St. John's College, Oxford) interpretive readings of over one hundred metapoems by canonical anglophone authors, it offers the first representative selection of twentieth-century poems about poetry in English.
Reading Goethe at Midlife
This book explores the history of the idea of the midlife crisis, using the writings of C.G. Jung and Goethe to investigate its relevance for today. Tracing how “the ages of humankind” became “the stages of life” in which the midlife crisis represents a pivotal moment, Paul Bishop offers a detailed analysis of a paper by Jung on this subject. He then shifts the focus to Goethe’s interest in Orphic wisdom, and one of Goethe’s major later poems, “Primal Words. Orphic” (Urworte Orphisch). Using Jungian ideas to explore the psychological implications of this poem, Bishop draws on Goethe’s own commentary, and other background material, to uncover its vital message. Reading Goethe at Midlife reveals the remarkable symmetry between the ideas and Jung and Goethe. Jung’s analysis of the stages of life, and his advice to heed the “call of the self,” are brought into the conjunction with Goethe’s emphasis on the importance of hope, showing an underlying continuity of thought and relevance from ancient wisdom, via German classicism to analytical psychology. At a time when many Jungians are turning to neuroscience to provide an external underpinning for Analytical Psychology, this scholarly book is very welcome: it returns to psychology’s home territory, placing Jung firmly in a long cultural tradition. Impressively well-read in many fields extending from literature and the history of ideas to psychoanalysis and Jungian studies, Paul Bishop allows a text by Jung and a late poem by Goethe to mirror and enhance each other, demonstrating Jung's intellectual proximity to the tradition of German classicism. The wealth of “amplifications” that Bishop brings to the many themes treated allows us to experience a living reality—a continuity of ideas across different times and cultures.