My Withered Legs And Other Essays
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My Withered Legs and Other Essays
Author: Sandra Gail Lambert
language: en
Publisher: University of Georgia Press
Release Date: 2024-03-01
My Withered Legs and Other Essays is a collection of personal essays by Sandra Gail Lambert that reflects upon her experience becoming a writer alongside discussions of disability, queerness, and aging. A seventy-year history of disability is threaded throughout these essays and intertwined with writing that celebrates lesbian love, explores the slapstick moments of life, and shares the obstacles and triumphs of becoming a writer later in life. The essays chronicle times of interruption and then adaptation as the disability skill of always just figuring it out becomes tested with age and with illness. Throughout the book, Lambert engages with topics of ageism and ableism through storytelling rich with wit and contemplation. From childhood Lambert believed as a disabled person she was “ice floe material” rife for abandonment, and during the pandemic she ticks off the additional comorbidities—age, fatness, cancer, a heart attack—that groups her with the expendable. In the essay "Gimp Humor," she is threatened with a ticket for not coming to a full stop while strolling along in her wheelchair. Underpinning the humor is an analysis of whiteness and the wariness that can be lodged, or not, in a body. Other essays reimagine the meaning of "Old Lady Dabbler," recount kayaking among a hundred alligators, and tell the romantic, laden-with-power-dynamics tale of two lesbians in their sixties who fall in love. Another essay explores the family story, truth embellished with fiction, of Lambert’s mother finding an unexploded bomb nestled in her parents' bed. This tale of the London Blitz delves into the increasingly common experience of "emergence" after a disaster and the necessity of becoming, especially for marginalized communities, our own first responders.
Happier Far
Author: Diane Mehta
language: en
Publisher: University of Georgia Press
Release Date: 2025-03-15
In Happier Far, Diane Mehta takes us on a funny and engrossing tour of the absurdities and dilemmas of becoming a writer, and how family can sometimes help us and sometimes get in the way. From a vibrant childhood in India to her youth in an unwelcoming New Jersey suburb, from the confusions of marriage and divorce to life as a single parent, she chronicles her search for a family history that can help explain who she is and what matters most to her now. In concert halls, art galleries, parks, cemeteries, and hospitals, Mehta follows her curiosity to imaginatively expand her immediate world. With a voice that's propulsive and ironic, sly and profound, she takes stock: She wrestles with a personal tragedy in a letter to a turtle and reveals the hallucinatory mania of migraines in her interactions with a dog-walking service. She meditates on memory with ghosts of the dead, teaches herself to swim despite chronic pain, connects with her mother by listening to Beethoven's late sonatas, and examines family documents in an effort to pin down the story of her Indian-Jain and Jewish-American parents. Mehta tries to meet the demands of love, marriage, divorce, and parenting, all while figuring out what it takes to express herself clearly. An original and feisty storyteller, Mehta shows us that if you are kicked out of the life you thought you were going to lead, you can still rebuild it and become, as Milton said in Paradise Lost, "happier far."
Nola Face
Author: Brooke Champagne
language: en
Publisher: University of Georgia Press
Release Date: 2024-04
Early in Brooke Champagne’s childhood, her Ecuadorian grandmother Lala (half bruja, half santa) strictly circumscribed the girl’s present and future: become beautiful but know precisely when to use it; rationalize in English but love in God’s first language, the superior Spanish; and if you must write, Dios help you, at least make a subject of me. Champagne’s betrayal of these confounding dictates began before they were even spoken, and she soon started both writing and hiding the truth about whom she was becoming. The hilarious, heartbreaking essays in this collection trace the evolutions of this girlhood of competing languages, ethnicities, aesthetics, politics, and class constraints against the backdrop of a boozy New Orleans upbringing. In these essays, Champagne and members of her family love poorly and hate well, whip and get whipped, pray and curse in two languages, steal from The Man and give to themselves, kiss where it hurts, poke where it hurts worse, and keep and spill each other’s secrets—first face-to-face, then on the page. They believe and doubt and reckon with the stories they tell about themselves and where they come from, finally becoming most human, most alive, in their connections to one another.