My First Folio

Shakespeare's First Folio

This is a biography of a book: the first collected edition of Shakespeare's plays printed in 1623 and known as the First Folio. It begins with the story of its first purchaser in London in December 1623, and goes on to explore the ways people have interacted with this iconic book over the four hundred years of its history. Throughout the stress is on what we can learn from individual copies now spread around the world about their eventful lives. From ink blots to pet paws, from annotations to wineglass rings, First Folios teem with evidence of its place in different contexts with different priorities. This study offers new ways to understand Shakespeare's reception and the history of the book. Unlike previous scholarly investigations of the First Folio, it is not concerned with the discussions of how the book came into being, the provenance of its texts, or the technicalities of its production. Instead, it reanimates, in narrative style, the histories of this book, paying close attention to the details of individual copies now located around the world - their bindings, marginalia, general condition, sales history, and location - to discuss five major themes: owning, reading, decoding, performing, and perfecting. This is a history of the book that consolidated Shakespeare's posthumous reputation: a reception history and a study of interactions between owners, readers, forgers, collectors, actors, scholars, booksellers, and the book through which we understand and recognise Shakespeare.

The Shakespeare First Folio: A new worldwide census of first folios

Existing copies of the Shakespeare First Folio (1623) were surveyed and counted a hundred years ago, in Sidney Lee's Census of 1902. Since then, some seventy copies have come to light, some of which are only now identified as First Folios. This new Census lists 229 copies, giving concise descriptions of each. The entries cover condition (including the number of original leaves), items of special interest, provenance, and binding. A concordance of Lee and West numbers is also provided. To set the stage, the volume tells the story of the search for copies and the detective work involved in dealing with doubtful identifications. Because Folios survive in such a wide variety of condition, the tests for defining what to count as a copy are described, then demonstrated with three unnumbered, unrecognized copies at the Folger Shakespeare Library. Finally, details of missing copies are given, to increase the likelihood of their rediscovery.

The Works of Shakespeare