My Africa
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African Cultural Values
Although numerous studies have been made of the Western educated political elite of colonial Nigeria in particular, and of Africa in general, very few have approached the study from a perspective that analyzes the impacts of indigenous institutions on the lives, values, and ideas of these individuals. This book is about the diachronic impact of indigenous and Western agencies in the upbringing, socialization, and careers of the colonial Igbo political elite of southeastern Nigeria. The thesis argues that the new elite manifests the continuity of traditions and culture and therefore their leadership values and the impact they brought on African society cannot be fully understood without looking closely at their lived experiences in those indigenous institutions where African life coheres. The key has been to explore this question at the level of biography, set in the context of a carefully reconstructed social history of the particular local communities surrounding the elite figures. It starts from an understanding of their family and village life, and moves forward striving to balance the familiar account of these individuals in public life, with an account of the ongoing influences from family, kinship, age grades, marriage and gender roles, secret societies, the church, local leaders and others. The result is not only a model of a new approach to African elite history, but also an argument about how to understand these emergent leaders and their peers as individuals who shared with their fellow Africans a dynamic and complex set of values that evolved over the six decades of colonialism.
Joseph Ratzinger and the Future of African Theology
Author: Maurice Ashley Agbaw-Ebai
language: en
Publisher: Wipf and Stock Publishers
Release Date: 2021-12-27
This book engages the theology of Joseph Ratzinger/Pope Benedict XVI in dialogue with African Catholic theological concerns and challenges. After an Introduction by Matthew Levering arguing that African Catholic theology is an important resource for the whole Church, the book contains ten chapters by African and non-African Catholic theologians. Paulinus Odozor investigates whether and, if so, how the God of Jesus Christ stands in continuity with the God known to African Traditional Religions. Paul Ọlatubọsun Adaja addresses faith and reason in light of the current African anthropological crisis. Tegha Nji and Valery Akoh connect Ratzinger's idea of "pro-existence" with traditional African understandings of solidarity. Jacob Phillips compares the theologies of Robert Cardinal Sarah and Joseph Ratzinger/Benedict XVI. Dennis Kasule examines the requirements of a New Evangelization for Africa, in light of the case of Uganda. Joseph Lugalambi proposes that the Catholic liturgies of Africa are in need of reform. Mary-Reginald N. Anibueze explores the Eucharist as a socio-communitarian event. Emery de Gaal reflects upon Ratzinger/Benedict's theology of inculturation. Joseph Ogbonnaya treats Caritas in Veritate with a focus upon the case of Nigeria. Maurice Ashley Agbaw-Ebai meditates upon Ratzinger's understanding of political power.
The Dramatic Art of Athol Fugard
Author: Albert Wertheim
language: en
Publisher: Indiana University Press
Release Date: 2000
"Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written... This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre." --Nancy Topping Bazin, Eminent Scholar and Professor Emerita, Old Dominion University Athol Fugard is considered one of the most brilliant, powerful, and theatrically astute of modern dramatists. The energy and poignancy of his work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world.