Mustn T Grumble Monty Python


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The Small Faces and The Faces


The Small Faces and The Faces

Author: Andrew Darlington

language: en

Publisher: Sonicbond Publishing Ltd

Release Date: 2025-06-20


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Small Faces. Big Sound. There were but four Small Faces. First, they were the sharp little mod fourpiece of the ‘All Or Nothing’ Decca years, Carnaby Street, Ready Steady Go! and Rave magazine. Then they were the irreverent freakbeat experimentalists of the Immediate years, with ‘Tin Soldier’, ‘Lazy Sunday’ and classic album Ogdens’ Nut Gone Flake. Their hits were praised, covered and imitated by subsequent rock musicians such as Paul Weller and Noel Gallagher. When The Small Faces split, Steve Marriott formed Humble Pie with Peter Frampton, and the rest of the band became The Faces with the addition of future Rolling Stone Ron Wood and vocalist Rod Stewart. The Faces became one of the biggest rock bands of the seventies via albums such as A Nod Is As Good As A Wink... To A Blind Horse and Ooh La La or worldwide hit ‘Stay With Me’. When those bands came to a natural end, and with ‘Itchycoo Park’ returned to the top ten, The Small Faces reformed for two more albums. Were they ill-advised or are they ripe for re-evaluation? The evidence is laid out here. For this is the full story song-by-song, from the very start, to the end ... Andrew Darlington is a hack writer, a self-educated acrobat juggling words. Jefferson Airplane musician Grace Slick once politely declined his offer of marriage. His latest poetry collection is Tweak Vision: The Word-Play Solution To Modern-Angst Confusion and his Science Fiction Novel In The Time Of The Breaking are both from Alien Buddha Press, USA. He’s also written a biography of Beatles PR Derek Taylor called For Your Radioactive Children: Days In The Life Of The Beatles Spin-Doctor, published by SonicBond, who also published his 2021 book The Hollies On Track. His writing can be found at Eight Miles Higher: http://andrewdarlington.blogspot.co.uk/.

Émile Durkheim and the Collective Consciousness of Society


Émile Durkheim and the Collective Consciousness of Society

Author: Kenneth Smith

language: en

Publisher: Anthem Press

Release Date: 2014-08-01


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This volume sets out to explore the use of Émile Durkheim’s concept of the ‘collective consciousness of society’, and represents the first ever book-length treatment of this underexplored topic. Operating from both a criminological and sociological perspective, Kenneth Smith argues that Durkheim’s original concept must be sensitively revised and suitably updated for its real relevance to come to the fore. Major adjustments to Durkheim’s concept of the collective consciousness include Smith’s compelling arguments that the model does not apply to everyone equally, and that Durkheim’s concept does not in any way rely on what might be called the disciplinary functions of society.

A Book about the Film Monty Python's Life of Brian


A Book about the Film Monty Python's Life of Brian

Author: Darl Larsen

language: en

Publisher: Bloomsbury Publishing PLC

Release Date: 2018-02-15


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As a follow-up to their first true feature film, Monty Python and the Holy Grail, the comic troupe next decided to tackle a “shadow” version of the Christ story. Shot in the Middle East and produced during Margaret Thatcher’s ascendant years, the film satirized—among other matters—authoritarianism and religious zealotry. Upon its release, Monty Python’s Life of Brian was both a critical and commercial success, and has been since hailed as one of the greatest comedies of all time. But the film also faced backlash from religious groups for its blasphemy, perceived or otherwise. In A Book about the Film Monty Python's Life of Brian: All of the References from Assyrians to Zeffirelli, Darl Larsen identifies and examines the plethora of cultural, historical, and topical allusions in the film. In this resource, Larsen delineates virtually every allusion and reference that appears in the film—from first-century Jerusalem through 1970s Great Britain. Organized chronologically by scene, the entries in this cultural history cover literary and metaphoric allusions, symbolisms, names, peoples, and places, as well as the many social, cultural, and historical elements that populate this film. By closely examining each scene, this book explores the Pythons’ comparisons of the Roman and British Empires and of Pilate and Margaret Thatcher. In addition, Larsen helps to situate Life of Brian in the “Jesus” re-examination of the postwar period, while also taking a close look at the terror groups of first-century Judea and the modern world. A Book about the Film Monty Python's Life of Brian will appeal to scholars of history, film, British culture, and pop culture, as well as to the many fans of this iconic group.