Music Memory Minorities Between Archive And Activism
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Music – Memory – Minorities: Between Archive and Activism
Author: Zuzana Jurková
language: en
Publisher: Charles University in Prague, Karolinum Press
Release Date: 2020-12-01
What can music say about group specifics, especially the specifics of ethnic minorities? In this volume, the focus is on one distinctive aspect of minority culture – collective memory. This is not an imprint of the past: it arises as an image, created from the motives of the past, but shaped by the needs and interests of the present, and various actors participate in its creation. If the medium of remembrance is music – a powerful medium which, thanks to its polysemantic character, makes it possible to connect the individual and the collective, to represent communities, and to rewrite group boundaries – who are the actors and what images do they create? The book Music – Memory – Minorities: Between Archive and Activism focuses on the musical remembrance of Roma and Jews. In addition to exploring individual cases, the text presents and follows a remarkable arc that allows us to observe the role of music in the ethno-emancipatory process of minorities.
Music and Encounter at the Mediterranean Crossroads
Music and Encounter at the Mediterranean Crossroads: A Sea of Voices explores the musical practices that circulate the Mediterranean Sea. Collectively, the authors relate this musical flow to broader transnational flows of people and power that generate complex encounters, bringing the diverse cultures of Europe, Africa, and the Middle East into new and challenging forms of contact. Individually, the chapters offer detailed ethnographic and historiographic studies of music’s multifaceted roles in such interactions. From collaborations between Moroccan migrant and Spanish Muslim convert musicians in Granada, to the incorporation of West African sonorities and Hasidic melodies in the musical liturgy of Abu Ghosh Abbey, Jerusalem, these communities sing, play, dance, listen, and record their diverse experiences of encounter at the Mediterranean crossroads.
Collective Memory, Marginality, and Spatial Politics in Urban Indonesia.
This volume presents three important themes for the study of Indonesian politics, cultures, and urban space: 1) urban regeneration and collective memory, 2) marginality and the other archives, 3) mood, medium, and media. Readers will find in the collection elements of urban imaginary and practices as represented in essays on community archiving, heritage, spatial experiments, gangsters and hooligans, sex work and sexual violence, youth subcultures, marketplaces, museums, and elite subdivisions. With this, the book offers readers a way to look at how the contributors approach the ever- shifting urban space as a cultural and political arena: how space is represented, produced and contested and how they are implicated in identity formations today and in the past; how individual and collective memories are fixated, disrupted, or catapulted forward by mobility and spatial transformation; how people, landscapes, buildings, movements join forces in transforming self and space, resulting in significant reconfiguration of politics, culture, and memory. This is an open access book.