Moving Image Technology
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Moving Image Technology
Author: Leo Douglas Graham Enticknap
language: en
Publisher: Wallflower Press
Release Date: 2005
The author explains scientific, technical and engineering concepts clearly and in a way that can be understood by non-scientists. He integrates a discussion of traditional, film-based technologies with the impact of emerging 'new media' technologies such as digital video, e-cinema and the Internet.
BKSTS Illustrated Dictionary of Moving Image Technology
The fourth edition of the BKSTS dictionary provides clear and concise explanations of the terminology and acronyms encountered in the broadcasting and moving image industries. Convergence of these industries means that those practising within them are increasingly faced with unfamiliar terminology. Martin Uren has reflected this change in his extended choice of industry terms, acronyms and colloquialisms. He provides: - Over 3300 definitions covering film, television, sound and multimedia technologies, together with technical terms from the computing, networks and telecommunications industries. - Nearly 700 acronyms in a quick look-up section. - 26 Appendices of useful technical information across a range of topics. Whether you are an experienced professional or a new industry entrant, you will find this dictionary an essential reference for every-day and specialist jargon. Martin Uren is a broadcast training consultant and member of the Education and Training Committee and the Television Committee of the BKSTS. He is also a member of the SMPTE and the RTS. BKSTS, The Moving Image Society, represents the interests of those who are creatively and technologically involved in the business of providing moving images in all areas of the media.
Experimental and Expanded Animation
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live ‘making’ and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices. This volume addresses fundamental questions of form, such as drawing and the line, but also broadens out to encompass topics such as the inter-medial, post-humanism, the real, fakeness and fabrication, causation, new forms of synthetic space, ecology, critical re-workings of cartoons, and process as narrative. This book will appeal to cross and inter-disciplinary researchers, animation practitioners, scholars, teachers and students from Fine Art, Film and Media Studies, Philosophy and Aesthetics.