Moving Forward Looking Back
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Moving Forward, Looking Back
Author: Malte Hagener
language: en
Publisher: Amsterdam University Press
Release Date: 2007
This book, the first full critical overview of the film avant-garde, ushers in a new approach—and in the process creates its own subject. While many books have studied particular aspects of the European film avant-garde of the 1920s and 1930s, Moving Forward, Looking Back provides a much-needed summary of the theory and practice of the movement, while also emphasizing aspects of the period that have been overlooked. Arguing that a European perspective is the only way to understand the transnational movement, the book also pioneers a new approach to the alternative cinema network that sustained the avant-garde, paying particular attention to the emergence of film culture as visible in screening clubs, film festivals, and archives. It will be essential to anyone interested in the influential movement and the film culture it created.
Looking Back, Moving Forward
Author: Girish Daswani
language: en
Publisher: University of Toronto Press
Release Date: 2015-02-26
How do Ghanaian Pentecostals resolve the contradictions of their own faith while remaining faithful to their religious identity? Bringing together the anthropology of Christianity and the anthropology of ethics, Girish Daswani’s Looking Back, Moving Forward investigates the compromises with the past that members of Ghana’s Church of Pentecost make in order to remain committed Christians. Even as church members embrace the break with the past that comes from being “born-again,” many are less concerned with the boundaries of Christian practice than with interpersonal questions – the continuity of suffering after conversion, the causes of unhealthy relationships, the changes brought about by migration – and how to deal with them. By paying ethnographic attention to the embodied practices, interpersonal relationships, and moments of self-reflection in the lives of members of the Church of Pentecost in Ghana and amongst the Ghanaian diaspora in London, Looking Back, Moving Forward explores ethical practice as it emerges out of the questions that church members and other Ghanaian Pentecostals ask themselves.
Moving Forward, Looking Back
Author: Sarah M. Misemer
language: en
Publisher: Bucknell University Press
Release Date: 2010
Many critical shifts in concepts of time and society's consciousness of modernity were derived from the railway and World Standard Time in the nineteenth century. These innovations restructred the way people viewed the world and dealt with "public" and "private" time. The forward, projectile motion along a linear track mimicked the passage of public chronological time. Conversely, the train also invoked a private, nostalgic view of tim as the traveler was yanked from his/her traditional view of the space/time continuum via the train's velocity. Travelers observed the landscape "disappear" in their backward glance from the window--although the landscape and interior compartment's space remained stagnant. This optical illusion caused passengers to perceive the world in new ways. Thus, the train unveils a conflictive blend of nostalgia and progress in the River Plate, as these countries move forward, but look back.