Mosaics The Art Of Reuse


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Mosaics, The Art of Reuse


Mosaics, The Art of Reuse

Author: Galit Glazer

language: en

Publisher:

Release Date: 2009-06


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Mosaic is a colorful, ever-changing art form that appeals to a wide range of artists. When mosaic art is combined with environmental awareness, the results are particularly stunning, as non-conventional items such as handles salvaged from broken dressers and broken chips of antique china can be incorporated into unique, environmentally friendly pique assiette mosaic projects. Mosaic - The Art of Reusing features 25 projects that are vivid, vibrant, and inspirational. There are vintage mirrors and dressers; decorative art deco style wall hangings; striking 3D sculptures; and practical home features such as a flight of steps

Found Art Mosaics


Found Art Mosaics

Author: Suzan Germond

language: en

Publisher: Sterling Publishing Company

Release Date: 2007


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Found materials are taking the craft world by storm because the creative potential is tremendous. Contemporary mosaic artists--who continue to expand the limits of construction and materials--can benefit greatly from this movement toward reuse. Even the mosaic neophytes among us can explore the myriad possibilities of these new materials with this fabulous guide. Learn everything you need to get started in the world of found art mosaics, from materials, glass, ceramics, natural materials, grouts, surfaces, sealants, safety gear, and more. The 27 projects here--including the Buttons & Pebbles Vase, Glittering Jewels Belt Buckle, and Recycled Bathtub Garden Planter--each reuse and repurpose objects differently, as the found object may be the surface, the tesserae, or both.

Mosaics of the Greek and Roman World


Mosaics of the Greek and Roman World

Author: Katherine M. D. Dunbabin

language: en

Publisher: Cambridge University Press

Release Date: 1999


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This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.