Mosaic Orpheus
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The Image of Orpheus in Roman Mosaic
Author: Ilona Julia Jesnick
language: en
Publisher: British Archaeological Reports Oxford Limited
Release Date: 1997
This book first examines the figure of Orpheus in Graeco-Roman art and culture before exploring how he has been employed in late antique mosaic. Wide-ranging with lots of line-drawings and photographs.
Ancient Mosaic Pavements
This publication is engaged in issues, trends, and themes depicted on mosaic pavements discovered in Israel, the Gaza Strip and Petra (the provinces of ancient Palaestina Prima, Secunda and Tertia) with comparable floors in Jordan (Arabia). The majority of the mosaic pavements discussed in this study are dated to the 4th-8th centuries CE. Mosaic pavements were the normal medium for decorating the floors of synagogues, churches, monasteries, and chapels, as well as public and private buildings. Inscriptions found on many of the pavements commemorate the donors, refer to the artists, and sometimes date the mosaics. The ornamentation of the mosaics in this region is remarkable, rich, and varied in its themes and provides many insights into the contemporary artistic and social cultures.
The Conservation of the Orpheus Mosaic at Paphos, Cyprus
Author: The Getty Conservation Institute
language: en
Publisher: Getty Publications
Release Date: 1991-09-05
In 1988 the GCI and the Department of Antiquities of Cyprus agreed to conserve an important floor mosaic excavated in 1984–1985 in Paphos, Cyprus. The mosaic, which depicts Orpheus and the Beasts together in a single panel, is representative of an iconographic tradition common throughout the Mediterranean Basin. It is unusual, however, in that Orpheus is shown with his arm outstretched, and is further distinguished by an inscription naming the person who commissioned the work, a feature not present in any other Roman mosaic in Cyprus. Although the mosaic was in generally good condition when excavated, root damage had dislodged much of the tessellatum from its setting-bed and also had created several large lacunae. Subsidence caused by partial support of the mosaic on an underlying wall became more pronounced after excavation, and cracking appeared. For this reason, the mosaic was lifted, provided with a new support, and replaced in situ. The decision was made to lift the tesellatum by rolling it onto a drum rather than by cutting it into smaller sections, respecting the single pictorial composition of the work. The project included training in this relatively unusual technique for conservators from the region. The Conservation of the Orpheus Mosaic at Paphos, Cyprus, chronicles each element of the project, including the evaluation, documentation, detachment, reinstallation, and cleaning of the mosaic. It includes a clearly illustrated, step-by-step discussion of the procedures used to roll the mosaic and to install its new support system of fiberglass and aluminum. Environmental monitoring, analysis of tesserae samples, and the development and evaluation of a protective shelter are also covered, along with historical and iconographic material on this remarkable mosaic.