Morticia And Gomez
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The Laughing Dead
Author: Cynthia J. Miller
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2016-05-20
From the terrified double-takes of Lou Costello and Bob Hope and the rapid-fire wisecracks of Michael Keaton's Beetlejuice to the ghoulish sight gags of Shaun of the Dead, horror and humor have been intertwined, on screens large and small, for decades. This edited collection of essays surveys the rich and varied history of the horror-comedy in film and on television, ranging from the 1940s to the twenty-first century.
Feminist Afterlives of the Witch
The book investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture. The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory. Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.
The American Family on Television
The sitcom made its first appearance in January of 1949 with the introduction of television's first family, The Goldbergs. Since the advent of the sitcom, televised fictional families have reflected the changing structure of American society. The sitcom emphasized first the lives of suburban, working class European immigrants and gradually expanded to encompass the multicultural urban phenomena of the 1960s. The roles of men and women in the fictional family have similarly been adjusted to depict women's movement into the workforce and the changing identity of the father. As censorship laws became less stringent, sitcom viewers also began to be exposed to the realities of changing family dynamics in America, watching as the traditional nuclear family diverged to include single-parent, two-father, and two-mother households. From the cultural upheaval of the mid-century to the "reality" craze of the new millennium, television's families have mimicked and even influenced the changing values of American society. This broadcast history covers more than 100 television families, from the Goldbergs to the Osbournes, who have provided entertainment and inspiration for the American public since 1949. An introduction to the cultural trends and social developments of each decade is provided prior to a summary of the significant series of that decade. Each series entry includes a description of the family, the date of the show's first and last broadcast, the broadcasting network, the day and time aired, and the cast of characters.