Mors

Mors & Vita

In the towering corridors of City Hospital, Dr. Alexander Mors—the Angel of Death—carries a somber secret. With his rare gift, he stands at the threshold of mortality, guiding the souls that pass through his care. Alongside him, his sister, Elizabeth Vita, serves as a beacon of hope in the chaos, an EMT with the power to shield the living from spectral harm. They are the guardians at the brink, where life's final breath meets the afterworld's embrace. But the city they protect is under siege by shadows. A chilling specter weaves a tapestry of disaster, its dark tendrils reaching for the vulnerable spirits caught in Elizabeth's domain. As the balance between realms shudders, the siblings face not just the trials of their duties, but a malevolent plot that threatens to unravel the fabric of existence. Enter Nurse Jenna Hargrove, whose keen eye for detail and tenacious curiosity unravel the mysteries that shroud Dr. Mors. Thrust into their hidden war against forces she once dismissed as superstition, Jenna discovers that reality is far more intricate—and fragile—than she ever imagined. Together, amidst the rubble of broken lives and the whispers of the departed, they must forge an alliance with ethereal beings. They will confront the encroaching darkness with light, hope, and determination. But can they mend the veil before the specter's malevolence consumes all?

Ambitiosa Mors

Although the distinctive - and sometimes bizarre - means by which Roman aristocrats often chose to end their lives has attracted some scholarly attention in the past, most writers on the subject have been content to view this a s an irrational and inexplicable aspect of Roman culture. In this book, T.D. Hill traces the cultural logic which animated these suicides, describing the meaning and significance of such deaths in their original cultural context. Covering the writing of most major Latin authors between Lucretius and Lucan, this book argues that the significance of the 'noble death' in Roman culture cannot be understood if the phenomenon is viewed in the context of modern ideas of the nature of the self.

Mors Et Vita: a Sacred Trilogy