Morphogenesis Of Symbolic Forms Meaning In Music Art Religion And Language
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Morphogenesis of Symbolic Forms: Meaning in Music, Art, Religion, and Language
In the present book, the starting line is defined by a morphogenetic perspective on human communication and culture. The focus is on visual communication, music, religion (myth), and language, i.e., on the “symbolic forms” at the heart of human cultures (Ernst Cassirer). The term “morphogenesis” has more precisely the meaning given by René Thom (1923-2002) in his book “Morphogenesis and Structural Stability” (1972) and the notions of “self-organization” and cooperation of subsystems in the “Synergetics” of Hermann Haken (1927- ). The naturalization of communication and cultural phenomena is the favored strategy, but the major results of the involved disciplines (art history, music theory, religious science, and linguistics) are respected. Visual art from the Paleolithic to modernity stands for visual communication. The present book focuses on studies of classical painting and sculpture (e.g., Leonardo da Vinci, William Turner, and Henry Moore) and modern art (e.g., Jackson Pollock and Joseph Beuys). Musical morphogenesis embraces classical music (from J. S. Bach to Arnold Schönberg) and political songwriting (Bob Dylan, Leonhard Cohen). The myths of pre-literary societies show the effects of self-organization in the re-assembly (bricolage) of traditions. Classical polytheistic and monotheistic religions demonstrate the unfolding of basic germs (religious attractors) and their reduction in periods of crisis, the self-organization of complex religious networks, and rationalized macro-structures (in theologies). Significant tendencies are analyzed in the case of Buddhism and Christianism. Eventually, a holistic view of symbolic communication and human culture emerges based on state-of-the-art in evolutionary biology, cognitive science, linguistics, and semiotics (philosophy of symbolic forms).
Morphology, Neurogeometry, Semiotics
Jean Petitot is a polyhedric thinker whose contributions has been fundamental in a number of disciplines, such as epistemology, morphodynamics, differential geometry, structural semiotics, neurogeometry, phenomenology, linguistics, cognitive grammars, the theory of catastrophes, social sciences, literary studies, and aesthetics. This book is a homage to his huge contribution about the main concepts of morphogenesis and meaning that constitute the center of gravity around which Petitotian reflection revolves and returns. The scientific path of Jean Petitot develops between these two poles, topology and meaning. At stake it was to challenge the hiatus separating the exact sciences from the humanities that was the main point of the Petitot seminar of EHESS Epistemology of Models. By designing the appropriate qualitative dynamics between the two poles, form and meaning, it is possible to understand the Saussurian sign in structural semiotics, or the Greimasian semiotic square fordeep narrative structures or even the canonical formula of the myth of Lévi Strauss in structural anthropology. These are just few results in applying the theory of catastrophes to the emergence of meaning. The book is a collection of testimonies by distinguished authors who worked extensively with Jean Petitot in the different fields of Mathematics, Neurogeometry, Semiotics, Aesthetics, and Epistemology. An extensive bibliography of Petitot’s work is also presented.
The Relevance of René Thom
The body of work presented in this book comes from research carried out since 2017 as part of the international "Actualité de René Thom" project. This project was initially entitled "Morphology and qualitative dynamics: Knowledge of forms / Forms of knowledge". Subsequently, the name "Relevance of René Thom" was chosen for its clarity and evocative power. The aim of this research project is to promote the scientific relevance of René Thom's thinking on forms, and to demonstrate the importance of his method and discoveries. It is based on discussions of Thom's thinking and the method he proposes - i.e., to seek out dynamic structures in order to understand changes of form in nature and at the human-social level, to explain the transformation of these dynamic forms, to study the morphologies of process in various fields in order to advance scientific knowledge... The relevance of this thinker has manifested itself in the form of monthly sessions of a research seminar, held from 2017 to 2022, as well as in the form of international congresses (2018, 2019), bringing together the greatest friends and continuators, both of the work of René Thom himself, and of reflection on morphogenetic dynamics in the most diverse disciplines. This created a space for dialogue and listening between the exact sciences and the social and human sciences. Indeed, the fields of study are necessarily interdisciplinary, since, as René Thom teaches us, morphological organization, or form, in its exchanges with matter, must be considered as "independent" of its substrate, i.e. the environment in which this morphogenesis unfolds. Finally, this book marks a symbolic moment: it takes shape in the year that marks the centenary of the birth of René Thom, who was born in the French town of Montbéliard in 1923. To mark this centenary (1923-2023), a number of initiatives have been launched to celebrate the discoveries and advances of this mathematician-philosopher, ashe liked to call himself... The publication of the present book is one more, which we hope will shed light that will stimulate the morphological gaze Thom so urged us to adopt.