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Spirit Conjuring for Witches
The greatest Witches of folklore practiced their craft by conjuring spirits and employing a familiar spirit. Now, centuries later, these arts—supposedly the domain of ceremonial magicians only—can be perfected by modern Witches. In this groundbreaking book, Witch and ritual magician Frater Barrabbas shares a system of Witchcraft-based magic developed for safely performing invocations and evocations, handling fallen spirits and Goetic demons, traveling in the spirit world, creating a spirit pact, and constructing your own rituals for spirit conjuring. To help you get to know the full breadth of the spirit world, Spirit Conjuring for Witches includes a unique list of spirits as well as techniques for working with sigils and recommendations for classical grimoires. Exploring history, folktales, and personal experiences, this book shows how to magically develop relationships with spirits and ultimately master both the spirit and material worlds. Praise: "A clear and distinct body of tools and rituals for working with a broad range of spirits. If you are a witch looking for a more formal approach to this field, this may be the book for you."—Ivo Dominguez Jr., author of Spirit Speaks and Practical Astrology for Witches and Pagans "Frater Barrabbas has made a valuable contribution to the practice of modern witchcraft...This is a very thorough and carefully developed invitation to revive the practice of magical evocation that historically played so central a role in witchcraft and magic."—Jim Baker, author of The Cunning Man's Handbook "Frater Barrabbas shows how modern Witches can also reclaim their ability to conjure spirits in the age-old tradition of evoking beings of the Otherworld to attain knowledge or obtain practical results in this world. With the current revival in the publication, study and use of the classical grimoires, witches who are drawn to the practice of the magickal evocation of spirits now have a detailed guide to the inner preparations and outer practices necessary to evoke spirits safely and correctly."—Jonathan Nightshade, Gardnerian HP, Traditional Crafter and Sorcerer "I wish that there had a book like Spirit Conjuring for Witches back when; it would have saved me any number of missteps along the way. With more than forty years of experience under his cincture, Frater Barabbas speaks with a voice of wisdom, clarity and authority: truly one of the Thirteen Human Treasures of Paganistan."—Steven Posch, Traditional Witch and Host of Radio Paganistan "As Witches we all work with Deity and various spirits; but can you honestly say you communicate with them? This book is a valuable resource for every serious Witch's library. The author has outlined how to truly connect with that spirit realm, which allows us to build a relationship with those we work with."—Lady Adariana, Gardnerian HPS
Conjuring Culture
Author: Theophus H. Smith
language: en
Publisher: Oxford University Press
Release Date: 1995-11-09
This book provides a sophisticated new interdisciplinary interpretation of the formulation and evolution of African American religion and culture. Theophus Smith argues for the central importance of "conjure"--a magical means of transforming reality--in black spirituality and culture. Smith shows that the Bible, the sacred text of Western civilization, has in fact functioned as a magical formulary for African Americans. Going back to slave religion, and continuing in black folk practice and literature to the present day, the Bible has provided African Americans with ritual prescriptions for prophetically re-envisioning, and thereby transforming, their history and culture. In effect the Bible is a "conjure book" for prescribing cures and curses, and for invoking extraordinary and Divine powers to effect changes in the conditions of human existence--and to bring about justice and freedom. Biblical themes, symbols, and figures like Moses, the Exodus, the Promised Land, and the Suffering Servant, as deployed by African Americans, have crucially formed and reformed not only black culture, but American society as a whole. Smith examines not only the religious and political uses of conjure, but its influence on black aesthetics, in music, drama, folklore, and literature. The concept of conjure, he shows, is at the heart of an indigenous and still vital spirituality, with exciting implications for reformulating the next generation of black studies and black theology. Even more broadly, Smith proposes, "conjuring culture" can function as a new paradigm for understanding Western religious and cultural phenomena generally.
The Profile of Imagining
Author: Robert Hopkins
language: en
Publisher: Oxford University Press
Release Date: 2024-03-28
What is sensory imagining and what role does it play in our lives? How does visualizing a castle, running through a tune in one's head, or imagining the taste of fish ice cream relate to perceiving such things, or to remembering them? What are the connections between imagining and agency, and how does it relate to emotion and other affect? The Profile of Imagining offers a theory that answers these and many other questions. It argues that sensory imagining involves the redeployment of resources central to perception, though in a radically different context and to very different effect. The result is a view that explains central features of imagining's phenomenology and functional role, including its capacity to capture what it would be like to perceive its objects, while acknowledging the many and striking differences between imagining and sensing. Hopkins shows how the view can be extended to imagining in other forms, especially the imagining of affect; and uses it to argue for some surprising conclusions: that imagining something is not a way to engage with its aesthetic character; and that imagining provokes real feeling much less often than is usually assumed.