Monstrous Work And Radical Satisfaction


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Monstrous Work and Radical Satisfaction


Monstrous Work and Radical Satisfaction

Author: Eve Dunbar

language: en

Publisher: U of Minnesota Press

Release Date: 2024-11-05


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Radical Black feminist refusal through the works of mid-twentieth-century African American women writers Monstrous Work and Radical Satisfaction offers new and insightful readings of African American women’s writings in the 1930s–1950s, illustrating how these writers centered Black women’s satisfaction as radical resistance to the false and incomplete promise of liberal racial integration. Eve Dunbar examines the writings of Ann Petry, Dorothy West, Alice Childress, and Gwendolyn Brooks to show how these women explored self-fulfillment over normative and sanctioned models of national belonging. Paying close attention to literary moments of disruption, miscommunication, or confusion rather than ease, assimilation, or mutual understanding around race and gender, Dunbar tracks these writers’ dissatisfaction with American race relations. She shows how Petry, West, Childress, and Brooks redeploy the idea of monstrous work to offer potential modalities for registering Black women’s capacity to locate satisfaction within the domestic and interpersonal. While racial integration may satisfy the national idea of equality and inclusion, it has not met the long-term needs of Black people’s quest for equity. Dunbar responds, demonstrating how these mid-century women offer new blueprints for Black life by creating narrative models for radical satisfaction: Black women’s completeness, joy, and happiness outside the bounds of normative racial inclusion.

Black Regions of the Imagination


Black Regions of the Imagination

Author: Eve Dunbar

language: en

Publisher:

Release Date: 2013


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Establishing an imaginative space for blackness, four mid-century American writers resist literary segregation

The Monstrous-Feminine


The Monstrous-Feminine

Author: Barbara Creed

language: en

Publisher: Routledge

Release Date: 2015-09-04


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In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T