Monk S Confession
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Monk's Confession
A Monk's Confession is the first completely new English translation of Guibert of Nogent's remarkable memoirs in over seventy years. Written around the year 1115, they offer an unparalleled look at the life of a monk in the Middle Ages. Guibert, who lived his entire life in northern France, called these memoirs his book of monodiae, or solitary songs. Many scholars consider them the first Latin autobiography in the West after Augustine's Confessions. Readers will be stirred and surprised by Guibert's intense preoccupation with the sinfulness of his soul, his visions of demons and necromancy, and his frank struggle to come to terms with his sexuality. But Guibert is also a valuable witness to his age. In addition to his personal history, his memoirs give a brief chronicle of the abbey of Nogent--where he served as abbot for some twenty years--and a vivid account of the bloody uprising of the Laon Commune in 1112. His observations give precious insight into education, monastic life, and the beginnings of the great medieval towns. Paul J. Archambault's translation successfully renders Guibert's Latin--at times stylish, at times rustic--into lively, modern English. He consulted Edmond-René Labande's authoritative 1981 Latin edition with French translation. He provides a complete introduction and annotation that help situate Guibert within the history and literature of the Middle Ages while permitting readers to judge for themselves how to interpret this fascinating voice from the past.
Zen Confidential
Author: Shozan Jack Haubner
language: en
Publisher: Shambhala Publications
Release Date: 2013-05-14
A screenwriter and stand-up comic’s hilarious and profound account of his journey into Zen monkhood—featuring a foreword by Leonard Cohen Shozan Jack Haubner is the David Sedaris of Zen Buddhism: a brilliant humorist and analyst of human foibles, whose hilarity is informed by the profound insights that have dawned on him—as he's stumbled and fallen into spirituall practice. Raised in a truly strange family of Mel-Gibson-esque Catholic extremists, he went on to study philosophy (becoming very un-Catholic in the process) and to pursue a career as a screenwriter and stand-up comic in the clubs of L.A. How he went from life in the fast lane to life on the stationary meditation cushion is the subject of this laugh-out-loud funny account of his experiences. Whether he’s dealing with the pranks of a juvenile delinquent assistant in the monastery kitchen or experiencing profound compassion in the presence of his spiritual teacher, Haubner’s voice is one you'll be compelled to listen to. Not only because it’s highly entertaining, but because of its remarkable insight into the human condition.
Cistercian Stories for Nuns and Monks
Author: Martha G. Newman
language: en
Publisher: University of Pennsylvania Press
Release Date: 2020-11-27
Around the year 1200, the Cistercian Engelhard of Langheim dedicated a collection of monastic stories to a community of religious women. Martha G. Newman explores how this largely unedited collection of tales about Cistercian monks illuminates the religiosity of Cistercian nuns. As did other Cistercian storytellers, Engelhard recorded the miracles and visions of the order's illustrious figures, but he wrote from Franconia, in modern Germany, rather than the Cistercian heartland. His extant texts reflect his interactions with non-Cistercian monasteries and with Langheim's patrons rather than celebrating Bernard of Clairvaux. Engelhard was conservative, interested in maintaining traditional Cistercian patterns of thought. Nonetheless, by offering to women a collection of narratives that explore the oral qualities of texts, the nature of sight, and the efficacy of sacraments, Engelhard articulated a distinctive response to the social and intellectual changes of his period. In analyzing Engelhard's stories, Newman uncovers an understudied monastic culture that resisted the growing emphasis on the priestly administration of the sacraments and the hardening of gender distinctions. Engelhard assumed that monks and nuns shared similar interests and concerns, and he addressed his audiences as if they occupied a space neither fully sacerdotal nor completely lay, neither scholastic nor unlearned, and neither solely male nor only female. His exemplary narratives depict the sacramental value of everyday objects and behaviors whose efficacy relied more on individual spiritual formation than on sacerdotal action. By encouraging nuns and monks to imagine connections between heaven and earth, Engelhard taught faith as a learned disposition. Newman's study demonstrates that scholastic questions about signs, sacraments, and sight emerged in a narrative form within late twelfth-century monastic communities.