Moneyball Script
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Reading Sounds
Author: Sean Zdenek
language: en
Publisher: University of Chicago Press
Release Date: 2015-12-23
The work of writing closed captions for television and DVD is not simply transcribing dialogue, as one might assume at first, but consists largely of making rhetorical choices. For Sean Zdenek, when captioners describe a sound they are interpreting and creating contexts, they are assigning significance, they are creating meaning that doesn t necessarily exist in the soundtrack or the script. And in nine chapters he analyzes the numerous complex rhetorical choices captioners make, from abbreviating dialogue so it will fit on the screen and keep pace with the editing, to whether and how to describe background sounds, accents, or slurred speech, to nonlinguistic forms of sound communication such as sighing, screaming, or laughing, to describing music, captioned silences (as when a continuous noise suddenly stops), and sarcasm, surprise, and other forms of meaning associated with vocal tone. Throughout, he also looks at closed captioning style manuals and draws on interviews with professional captioners and hearing-impaired viewers. Threading through all this is the novel argument that closed captions can be viewed as texts worthy of rhetorical analysis and that this analysis can lead the entertainment industry to better standards and practices for closed captioning, thereby better serve the needs of hearing-impaired viewers. The author also looks ahead to the work yet to be done in bringing better captioning practices to videos on the Internet, where captioning can take on additional functions such as enhancing searchability. While scholarly work has been done on captioning from a legal perspective, from a historical perspective, and from a technical perspective, no one has ever done what Zdenek does here, and the original analytical models he offers are richly interdisciplinary, drawing on work from the fields of technical communication, rhetoric, media studies, and disability studies."
Front Office Fantasies
Author: Branden Buehler
language: en
Publisher: University of Illinois Press
Release Date: 2023-12-05
The new sports frontier that turns fans into would-be execs—and transforms the suits into superstars Front office executives have become high-profile commentators, movie and video game protagonists, and role models for a generation raised in the data-driven, financialized world of contemporary sports. Branden Buehler examines the media transformation of these once obscure management figures into esteemed experts and sporting idols. Moving from Moneyball and Football Manager to coverage of analytics gurus like Daryl Morey, Buehler shows how a fixation on managerial moves has taken hold across the entire sports media landscape. Buehler’s chapter-by-chapter look at specific media forms illustrates different facets of the managerial craze while analyzing the related effects on what fans see, hear, and play. Throughout, Buehler explores the unsettling implications of exalting the management class and its logics, in the process arguing that sports media’s managerial lionization serves as one of the clearest reflections of major material and ideological changes taking place across culture and society. Insightful and timely, Front Office Fantasies reveals how sports media moved the action from the field to the executive suite.
Baseball: The Movie
"Finally, someone takes baseball movies seriously! Baseball: The Movie blends the passion of a fan with the rigorous analysis of a film critic to create a persuasive argument that the baseball movie matters—to baseball, to Hollywood, even to America." —Ben Mankiewicz, host, Turner Classic Movies Featuring Field of Dreams, The Bad News Bears, A League of Their Own, and more: a probing and entertaining work at the intersection of pop culture and sports Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film, America's other national pastime, which magnifies and mythologizes all it touches, has long been the ideal medium to canonize this aspirational idea. Baseball: The Movie is the first definitive history of this film genre that was born in 1915 and remains artistically and culturally vital more than a century later. Writer and critic Noah Gittell sheds light on well-known classics and overlooked gems, exploring how baseball cinema creates a stage upon which the American ideal is born, performed, and repeatedly redefined. Traversing history and mythmaking, cynicism and nostalgia, this thoroughly researched book takes readers on a multifaceted tour of baseball on film.